4 ideas
| 3789 | The more reasons that compel me, the freer I am [Descartes] |
| Full Idea: I move the more freely towards an object in proportion to the number of reasons which compel me. | |
| From: René Descartes (Letter to Mersenne [1642]) |
| 7775 | Understanding a metaphor is a creative act, with no rules [Davidson] |
| Full Idea: Understanding a metaphor is as much a creative endeavour as making a metaphor, and as little guided by rules. | |
| From: Donald Davidson (What Metaphors Mean [1978], p.29) | |
| A reaction: This is good news for literature studies courses. Davidson's point is that the metaphor itself only gives you a literal meaning, so it doesn't tell you how to interpret it. It seems an attractive proposal. |
| 7776 | Metaphors just mean what their words literally mean [Davidson] |
| Full Idea: Metaphors mean what the words, in their most literal interpretation, mean, and nothing more. | |
| From: Donald Davidson (What Metaphors Mean [1978], p.30) | |
| A reaction: This pronouncement must be the result of Davidson anguishing over the truth conditions for metaphors, which are usually either taken to have a 'metaphorical meaning', or to be abbreviated similes. He solved his problem at a stroke! Plausible. |
| 7777 | We accept a metaphor when we see the sentence is false [Davidson] |
| Full Idea: It is only when a sentence is taken to be false that we accept it as a metaphor. | |
| From: Donald Davidson (What Metaphors Mean [1978], p.40) | |
| A reaction: This strikes me as a very nice and true generalisation, even though Davidson mentions "no man is an island" as a counterexample. We thirst for meaning, and switch to a second meaning when the first one looks peculiar. |