6 ideas
| 3269 | If your life is to be meaningful as part of some large thing, the large thing must be meaningful [Nagel] |
| Full Idea: Those seeking to give their lives meaning usually envision a role in something larger than themselves, …but such a role can't confer significance unless that enterprise is itself significant. | |
| From: Thomas Nagel (The Absurd [1971], §3) | |
| A reaction: Which correctly implies that this way of finding meaning for one's life is doomed. |
| 3270 | Justifications come to an end when we want them to [Nagel] |
| Full Idea: Justifications come to an end when we are content to have them end. | |
| From: Thomas Nagel (The Absurd [1971], §3) | |
| A reaction: This is the correct account, with the vital proviso that where justification comes to an end is usually a social matter. Robinson Crusoe doesn't care whether he 'knows' - he just acts on his beliefs. |
| 7276 | All art is quite useless [Wilde] |
| Full Idea: All art is quite useless. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: Echoes Kant's thought that art is 'purposive without purpose'. Although I find Wilde's claims that morality has nothing to do with art to be naïve, I find this remark sympathetic. Art may play with moral feelings, but is unlikely to affect actions. |
| 7274 | Books are only well or badly written, not moral or immoral [Wilde] |
| Full Idea: There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: This is simply false. Novels that are viciously (or subtly) racist, sexist, homophobic, or egotistical can obviously be immoral. I could write a nasty story about Oscar Wilde. It might, though, be very well written. If life is moral, so are novels. |
| 7275 | Having ethical sympathies is a bad mannerism of style in an artist [Wilde] |
| Full Idea: No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: This has a Nietzschean suggestion that the artist is 'beyond good and evil', and operates on some higher level of values, which in Wilde's case seem to be purely aesthetic. You can't justify a callous murder by executing it beautifully. |
| 3268 | If a small brief life is absurd, then so is a long and large one [Nagel] |
| Full Idea: If life is absurd because it only lasts seventy years, wouldn't it be infinitely absurd if it lasted for eternity? And if we are absurd because we are small, would we be any less absurd if we filled the universe? | |
| From: Thomas Nagel (The Absurd [1971], §1) |