Combining Texts

All the ideas for 'The Poetics', 'There Are No Abstract Objects' and 'Philosophical Explanations'

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7 ideas

8. Modes of Existence / E. Nominalism / 1. Nominalism / c. Nominalism about abstracta
Call 'nominalism' the denial of numbers, properties, relations and sets [Dorr]
     Full Idea: Just as there are no numbers or properties, there are no relations (like 'being heavier than' or 'betweenness'), or sets. I will provisionally use 'nominalism' for the conjunction of these four claims.
     From: Cian Dorr (There Are No Abstract Objects [2008], 1)
     A reaction: If you are going to be a nominalist, do it properly! My starting point in metaphysics is strong sympathy with this view. Right now [Tues 22nd Nov 2011, 10:57 am GMT] I think it is correct.
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
Natural Class Nominalism says there are primitive classes of things resembling in one respect [Dorr]
     Full Idea: Natural Class Nominalists take as primitive the notion of a 'natural' class - a class of things that all resemble one another in some one respect and resemble nothing else in that respect.
     From: Cian Dorr (There Are No Abstract Objects [2008], 4)
     A reaction: Dorr rejects this view because he doesn't believe in 'classes'. How committed to classes do you have to be before you are permitted to talk about them? All vocabulary (such as 'resemble') seems metaphysically tainted in this area.
10. Modality / A. Necessity / 11. Denial of Necessity
Abstracta imply non-logical brute necessities, so only nominalists can deny such things [Dorr]
     Full Idea: If there are abstract objects, there are necessary truths about these things that cannot be reduced to truths of logic. So only the nominalist, who denies that there are any such things, can adequately respect the idea that there are no brute necessities.
     From: Cian Dorr (There Are No Abstract Objects [2008], 4)
     A reaction: This is where two plates of my personal philosophy grind horribly against one another. I love nominalism, and I love natural necessities. They meet like a ring-species in evolution. I'll just call it a 'paradox', and move on (swiftly).
10. Modality / B. Possibility / 1. Possibility
The actual must be possible, because it occurred [Aristotle]
     Full Idea: Actual events are evidently possible, otherwise they would not have occurred.
     From: Aristotle (The Poetics [c.347 BCE], 1451b18)
     A reaction: [quoted online by Peter Adamson] Seems like common sense, but it's important to have Aristotle assert it.
11. Knowledge Aims / A. Knowledge / 4. Belief / c. Aim of beliefs
Maybe knowledge is belief which 'tracks' the truth [Nozick, by Williams,M]
     Full Idea: Nozick suggests that knowledge is just belief which 'tracks the truth' (hence leaving out justification).
     From: report of Robert Nozick (Philosophical Explanations [1981]) by Michael Williams - Problems of Knowledge Ch. 2
13. Knowledge Criteria / C. External Justification / 4. Tracking the Facts
A true belief isn't knowledge if it would be believed even if false. It should 'track the truth' [Nozick, by Dancy,J]
     Full Idea: Nozick says Gettier cases aren't knowledge because the proposition would be believed even if false. Proper justification must be more sensitive to the truth ("track the truth").
     From: report of Robert Nozick (Philosophical Explanations [1981], 3.1) by Jonathan Dancy - Intro to Contemporary Epistemology 3.1
     A reaction: This is a bad idea. I see a genuine tree in my garden and believe it is there, so I know it. That I might have believed it if I was in virtually reality, or observing a mirror, won't alter that.
21. Aesthetics / B. Nature of Art / 8. The Arts / b. Literature
Poetry is more philosophic than history, as it concerns universals, not particulars [Aristotle]
     Full Idea: Poetry is something more philosophic and of graver import than history, since its statements are rather of universals, whereas those of history are singulars.
     From: Aristotle (The Poetics [c.347 BCE], 1451b05)
     A reaction: Hm. Characters in great novels achieve universality by being representated very particularly. Great depth of mind seems required to be a poet, but less so for a historian (though there is, I presume, no upward limit on the possible level of thought).