3 ideas
| 21355 | The Pre-Socratics are not simple naturalists, because they do not always 'leave the gods out' [Leroi] |
| Full Idea: The problem with making naturalism the hallmark of Pre-Socratic thought ...is that they do not always 'leave the gods out'; the Divine can usually be found lurking somewhere is their cosmologies. | |
| From: Armand Marie LeRoi (The Lagoon: how Aristotle invented science [2014], 007) | |
| A reaction: An important observation. I've been guilty of this simplistic view. We tend to ignore the religious fragments, or we possess so little that we have no idea where religion figured in their accounts. |
| 20110 | Hegel, Fichte and Schelling wanted to know Kant's thing-in-itself, as ego, or nature, or spirit [Safranski] |
| Full Idea: The 'thing in iself' acted on Kant's successors like a hole in the closed world of knowledge...Hegel, Fichte and Schelling wanted to penetrate into what they presumed to be the heart of things, by the invention of means of 'ego', or 'nature', or 'spirit., | |
| From: Rüdiger Safranski (Nietzsche: a philosophical biography [2000], 07) | |
| A reaction: [a bit compressed] Although no scientist claims to know the ultimate essence of matter, the authority of science largely comes from persuasively moving us several steps closer to the thing in itself (more persuasively than these three). |
| 8113 | Art is like understanding a natural language, and needs a grasp of a symbol system [Goodman, by Gardner] |
| Full Idea: In Goodman's account, knowing what a painting represents is logically like understanding a sentence in a natural language. It requires a grasp of the 'symbol system' to which the painting belongs. | |
| From: report of Nelson Goodman (The Languages of Art [1976]) by Sebastian Gardner - Aesthetics 2.3.2 | |
| A reaction: This may fit some pictures well (e.g. early Flemish painting, with its complex iconography), but others hardly at all. You can enjoy a first experience of (say) ballet long before you get the hang of the 'symbol system' involved. |