3 ideas
| 23559 | We have the concept of 'knowledge' as a label for good informants [Craig, by Fricker,M] |
| Full Idea: Craig's explanation of why we have the concept of knowledge is that it arises from our fundamental need to distinguish good informants. | |
| From: report of Edward Craig (Knowledge and the State of Nature [1990]) by Miranda Fricker - Epistemic Injustice 6.1 | |
| A reaction: That is, why do we have the label 'knowledge', in addition to 'true belief'? This strikes me as a good explanation which had never occurred to me. Every social group needs to identify members who have some authority in knowledge of various areas of life. |
| 12742 | A whole is just its parts, but there are no smallest parts, so only minds and perceptions exist [Leibniz] |
| Full Idea: The whole, if it is assumed to be body or matter, is nothing other than all of its parts; but this is absurd, since there aren't any smallest parts. Therefore there really exist only minds and their perceptions. | |
| From: Gottfried Leibniz (Calculus Ratiocinator [1679], A6.4.279), quoted by Daniel Garber - Leibniz:Body,Substance,Monad 7 | |
| A reaction: Leibniz is sometimes labelled as an 'idealist', but this text is unusual in being so explicit, and he was mainly concerned to explain the reality of individual bodies. Monads were his final attempt to do this, not an attempt to escape into pure minds. |
| 20328 | A thing is only seen as art in an 'artworld', which has a theory and a history [Danto] |
| Full Idea: To see something as art requires something the eye cannot descry - an atmosphere of artistic theory, a knowledge of the history of art: an artworld. | |
| From: Arthur C. Danto (The Artworld [1964], II) | |
| A reaction: The editors of the volume call this a revolutionary remark, followed up by Danto and George Dickie with a social and institutional account of art. Danto's key example is Warhol's Brillo pads - art in a gallery, cleaning material in a shop. |