5 ideas
| 15575 | Knowledge is not a static set of correct propositions, but a continuing search for better interpretations [Polt] |
| Full Idea: Thanks to Heidegger, hermeneutics has gained wider acceptance - that knowledge is not a static set of correct propositions, but a continuing search for better interpretations. | |
| From: Richard Polt (Heidegger: an introduction [1999], 3.§7) | |
| A reaction: I am not sure if I understand the notion of a search that has a refusal to actually find anything as one of its basic principles. |
| 15568 | When we consider possibilities, there must be something we are considering [Polt] |
| Full Idea: We would hardly want to say that a possibility is nothing, since surely we are considering something when we consider possibilities. | |
| From: Richard Polt (Heidegger: an introduction [1999], 1) | |
| A reaction: A nice contribution to the issue of whether modality is a feature of actuality. I would prefer to say that we can self-evidently utter truths and falsehoods about what is or is not possible, in nature, in logic, and maybe in metaphysics. |
| 22419 | 'I' is a subject in 'I am in pain' and an object in 'I am bleeding' [Wittgenstein, by McGinn] |
| Full Idea: 'I' is used as a subject in 'I am in pain', ....and used as an object in 'I am bleeding'. | |
| From: report of Ludwig Wittgenstein (The Blue and Brown Notebooks [1936], pp. 66-7) by Colin McGinn - Subjective View: sec qualities and indexicals 4 | |
| A reaction: How about 'my wound is painful'? Does that have the logical form of a conversation? This idea is incorrect. Shoemaker (1968) suggests that the subjective use is immune to error, unlike the object use. |
| 6318 | The doctrine of indeterminacy of translation seems implied by the later Wittgenstein [Wittgenstein, by Quine] |
| Full Idea: Perhaps the doctrine of indeterminacy of translation will have little air of paradox for readers familiar with Wittgenstein's latter-day remarks on meaning. | |
| From: report of Ludwig Wittgenstein (The Blue and Brown Notebooks [1936], II.§16 n) by Willard Quine - Word and Object II.§16 n | |
| A reaction: This may be right, and I am inclined to link the names of Wittgenstein and Quine among those who led philosophy up a relativistic and sceptical cul-de-sac for many years. You can think too hard, you know. |
| 20328 | A thing is only seen as art in an 'artworld', which has a theory and a history [Danto] |
| Full Idea: To see something as art requires something the eye cannot descry - an atmosphere of artistic theory, a knowledge of the history of art: an artworld. | |
| From: Arthur C. Danto (The Artworld [1964], II) | |
| A reaction: The editors of the volume call this a revolutionary remark, followed up by Danto and George Dickie with a social and institutional account of art. Danto's key example is Warhol's Brillo pads - art in a gallery, cleaning material in a shop. |