Combining Texts

All the ideas for 'The Sign of Four', 'The Nature of Musical Expression' and 'Comment on Armstrong and Forrest'

unexpand these ideas     |    start again     |     specify just one area for these texts

---

5 ideas

8. Modes of Existence / D. Universals / 1. Universals

15453	The main rivals to universals are resemblance or natural-class nominalism, or sparse trope theory [Lewis]
	Full Idea: The leading rivals to a theory of universals are resemblance or natural-class nominalism, or sparse trope theory.
	From: David Lewis (Comment on Armstrong and Forrest [1986], p.110)
	A reaction: If that is the complete menu, I choose resemblance nominalism. All discussion of properties in terms of classes is wildly misguided (because properties come first). Why not 'natural' tropes?

9. Objects / C. Structure of Objects / 1. Structure of an Object

15452	We could not uphold a truthmaker for 'Fa' without structures [Lewis]
	Full Idea: We could not, without structures, uphold the principle that every truth has a truthmaker. If Fa is true, the truthmaker is not F, not a, nor both together; not their mereological sum; not a set-theoretic construction. These would exist just the same.
	From: David Lewis (Comment on Armstrong and Forrest [1986], p.109)
	A reaction: This point ought to trouble Lewis, as well as Armstrong and Forrest. If we assert 'Fa', we must (in any theory) have some idea of what unites them, as well as of their separate existence. It must a fact about 'a', not a fact about 'F'.

14. Science / C. Induction / 1. Induction

22200	If you eliminate the impossible, the truth will remain, even if it is weird [Conan Doyle]
	Full Idea: When you have eliminated the impossible, whatever remains, however improbable, must be the truth.
	From: Arthur Conan Doyle (The Sign of Four [1890], Ch. 6)
	A reaction: A beautiful statement, by Sherlock Holmes, of Eliminative Induction. It is obviously not true, of course. Many options may still face you after you have eliminated what is actually impossible.

21. Aesthetics / B. Nature of Art / 4. Art as Expression

12165	Romantics say music expresses ideas, or the Will, or intuitions, or feelings [Scruton]
	Full Idea: According to the Romantic theory music was an expression of something, of an idea (Hegel), of the Will (Schopenhauer), of 'intuitions' (Croce), or of feelings (Collingwood).
	From: Roger Scruton (The Nature of Musical Expression [1981], p.54)
	A reaction: Deryck Cooke was the culmination of music as expression of feeling, and Stravinsky was the greatest rebel against the whole idea of expression in music. You can set out to create interesting music which does or does not grab the emotions.

21. Aesthetics / C. Artistic Issues / 4. Emotion in Art

12164	Expressing melancholy is a good thing, but arousing it is a bad thing [Scruton]
	Full Idea: To describe a piece of music as expressive of melancholy is to give a reason for listening to it; to describe it as arousing or evoking melancholy is to give a reason for avoiding it.
	From: Roger Scruton (The Nature of Musical Expression [1981], p.49)
	A reaction: Expressing sexual desire, while avoiding arousing it, is the nice challenge for a particular type of art. Would Scruton say that expressing joy is a good thing, but arousing it is bad? It is a nice observation, though.