14 ideas
| 20455 | Philosophy really got started as the rival mode of discourse to tragedy [Critchley] |
| Full Idea: The pre-Socratics are interesting, but philosophy really begins in drama; it's a competitive discourse to tragedy. Which is why Plato's 'Republic' excludes the poets: they're the competition; gotta get rid of them. | |
| From: Simon Critchley (Impossible Objects: interviews [2012], 6) | |
| A reaction: That's an interesting and novel perspective. So what was the 'discourse' of tragedy saying, and why did that provoke the new rival? Was it too fatalistic? |
| 20446 | Philosophy begins in disappointment, notably in religion and politics [Critchley] |
| Full Idea: I claim that philosophy begins in disappointment, and there are two forms of disappointment that interest me: religious and political disappointment | |
| From: Simon Critchley (Impossible Objects: interviews [2012], 2) | |
| A reaction: You are only disappointed by reality if you expected something better. To be disappointed by the failures of religion strikes me as rather old-fashioned, which Critchley sort of admits. Given the size and tumult of modern states, politics isn't promising. |
| 20449 | Science gives us an excessively theoretical view of life [Critchley] |
| Full Idea: One of the problems with the scientific worldview is that it leads human beings to have an overwhelmingly theoretical relationship to the world. | |
| From: Simon Critchley (Impossible Objects: interviews [2012], 2) | |
| A reaction: Critchley is defending phenomenology, but this also supports its cousin, existentialism. I keep meeting bright elderly men who have immersed themselves in the study of science, and they seem very remote from the humanist culture I love. |
| 20448 | Phenomenology uncovers and redescribes the pre-theoretical layer of life [Critchley] |
| Full Idea: Phenomenology is a philosophical method that tries to uncover the pre-theoretical layer of human experience and redescribe it. | |
| From: Simon Critchley (Impossible Objects: interviews [2012], 2) | |
| A reaction: I would be delighted if someone could tell me what this means in practice. I have the impression of lots of talk about phenomenology, but not much doing of it. Clearly I must enquire further. |
| 15201 | That Queen Anne is dead is a 'general fact', not a fact about Queen Anne [Prior,AN] |
| Full Idea: The fact that Queen Anne has been dead for some years is not, in the strict sense of 'about', a fact about Queen Anne; it is not a fact about anyone or anything - it is a general fact. | |
| From: Arthur N. Prior (Changes in Events and Changes in Things [1968], p.13), quoted by Robin Le Poidevin - Past, Present and Future of Debate about Tense 1 b | |
| A reaction: He distinguishes 'general facts' (states of affairs, I think) from 'individual facts', involving some specific object. General facts seem to be what are expressed by negative existential truths, such as 'there is no Loch Ness Monster'. Useful. |
| 20945 | Belief is no more rational than is tasting and smelling [Hamann] |
| Full Idea: Belief happens as little in terms of reasons as tasting and smelling. | |
| From: J.G. Hamann (works [1770], v2:74), quoted by Andrew Bowie - Introduction to German Philosophy | |
| A reaction: That is one idea definitively expressed! I take it as only a partial truth. Beliefs happen as a result of observation and experience. But someone can draw our attention to something (and we can hunt it out ourselves), which is giving a reason for belief. |
| 20454 | Wallace Stevens is the greatest philosophical poet of the twentieth century in English [Critchley] |
| Full Idea: Wallace Stevens is the greatest philosophical poet of the twentieth century in the English language - full stop - in my humble opinion. | |
| From: Simon Critchley (Impossible Objects: interviews [2012], 6) | |
| A reaction: I include this because I tend to agree, and love Stevens. Hear recordings of him reading. I once mentioned Stevens in a conversation with Ted Hughes, and he just shrugged and said Stevens 'wasn't much of a poet'. Wrong. |
| 20456 | Interesting art is always organised around ethical demands [Critchley] |
| Full Idea: I don't think that art can be unethical. I think that interesting art is always ethical. It is organised around ethical demands. | |
| From: Simon Critchley (Impossible Objects: interviews [2012], 8) | |
| A reaction: It is a struggle to make this fit instrumental music. Critchley likes punk rock, so he might not see the problem. How to compare Bachian, Mozart, Beethovenian and Debussyian ethics? Not impossible. |
| 20447 | The problems is not justifying ethics, but motivating it. Why should a self seek its good? [Critchley] |
| Full Idea: The issue is not so much justification as motivation, that in virtue of which the self can be motivated to act on some conception of the good. ...How does a self bind itself to whatever it determines as its good? | |
| From: Simon Critchley (Impossible Objects: interviews [2012], 2) | |
| A reaction: That is a bold and interesting idea about the starting point for ethics. It is always a problem for Aristotle, that he can offer no motivation for the quest for virtue. Contractarians start from existing motivations, but that isn't impressive. |
| 20452 | Anarchism used to be libertarian (especially for sexuality), but now concerns responsibility [Critchley] |
| Full Idea: Anarchism in the 1960s was libertarian and organised around issues of sexual liberation. That moment has passed. People are and should be organising around responsibility. | |
| From: Simon Critchley (Impossible Objects: interviews [2012], 3) | |
| A reaction: So there are two types of anarchism, focused on freedom or on responsibility. An organisation like Greenpeace might represent the latter. |
| 20450 | The state, law, bureaucracy and capital are limitations on life, so I prefer federalist anarchism [Critchley] |
| Full Idea: I begin with the ontological premise that the state is a limitation on human existence. I am against the state, law, bureaucracy, and capital. I see anarchism as the only desirable way of organising, politically. ...Its political form is federalist. | |
| From: Simon Critchley (Impossible Objects: interviews [2012], 3) | |
| A reaction: Hm. Some sympathy, but caution. All systems, even federalist anarchism, are limitations on our lives, so which limitations do we prefer? The law aspires to a calm egalitarian neutrality, which seems promising to me. |
| 20451 | Belief that humans are wicked leads to authoritarian politics [Critchley] |
| Full Idea: If you think human beings are wicked, you turn to an authoritarian conception of politics, the Hobbesian-Machiavellian-Straussian lie. | |
| From: Simon Critchley (Impossible Objects: interviews [2012], 3) | |
| A reaction: Right-wingers also tend to believe in free will, so they can blame and punish. Good people are more inspired by a great leader than bad people are? (Later, Critchley says authoritarians usually believe in original sin). |
| 22899 | 'Thank goodness that's over' is not like 'thank goodness that happened on Friday' [Prior,AN] |
| Full Idea: One says 'thank goodness that is over', ..and it says something which it is impossible which any use of any tenseless copula with a date should convey. It certainly doesn't mean the same as 'thank goodness that occured on Friday June 15th 1954'. | |
| From: Arthur N. Prior (Changes in Events and Changes in Things [1968]), quoted by Adrian Bardon - Brief History of the Philosophy of Time 4 'Pervasive' | |
| A reaction: [Ref uncertain] This seems to be appealing to ordinary usage, in which tenses have huge significance. If we take time (with its past, present and future) as primitive, then tenses can have full weight. Did tenses mean anything at all to Einstein? |
| 7666 | God is not a mathematician, but a poet [Hamann, by Berlin] |
| Full Idea: Hamann's fundamental doctrine was that God was not a geometer, not a mathematician, but a poet. | |
| From: report of J.G. Hamann (works [1770]) by Isaiah Berlin - The Roots of Romanticism Ch.3 | |
| A reaction: [This idea is wonderfully expressed by D.H.Lawrence in his poem 'Red Geranium and Godly Mignonette]. The idea becomes attractive when you ask whether God would need to do mathematics. |