9 ideas
| 7910 | Pursue truth with the urgency of someone whose clothes are on fire [Ashvaghosha] |
| Full Idea: As though your turban or your clothes were on fire, so with a sense of urgency should you apply your intellect to the comprehension of the truths. | |
| From: Ashvaghosha (Saundaranandakavya [c.50], XVI) | |
| A reaction: The best philosophers need no such urging. I retain a romantic view that we should be 'natural' in these things. See Plato's views in Idea 2153 and 1638. However, maybe I should be confronted with this quotation every morning when I awake. |
| 19355 | The soul doesn't understand many of its own actions, if perceptions are confused and desires buried [Leibniz] |
| Full Idea: The soul does many things without knowing how it does them - when it does them by means of confused perceptions and unconscious inclinations or appetites. | |
| From: Gottfried Leibniz (On Note L to Bayle's 'Rorarius' [1705], [L]) | |
| A reaction: This increasingly strikes me as a wonderful and important insight for its time. He's really paid attention to his own mind, and given up the simplistic view that derives from Descartes. Are birds conscious? Yes or no! Silly. |
| 19350 | We should say that body is mechanism and soul is immaterial, asserting their independence [Leibniz] |
| Full Idea: I think we should keep both sides: we should be more Democritean and make all actions of bodies mechanical and independent of souls, and we should also be more than Platonic and hold that all actions of souls are immaterial and independent of mechanism. | |
| From: Gottfried Leibniz (On Note L to Bayle's 'Rorarius' [1705], [C]) | |
| A reaction: This is about as dualist as it is possible to get. It certainly looks as if many of Leibniz's doctrines are rebellions against Spinoza (in this case his 'dual aspect monism'). I take Leibniz to be utterly but heroically wrong. |
| 20420 | The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood] |
| Full Idea: The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased. | |
| From: R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1 | |
| A reaction: It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling. |
| 20421 | Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp] |
| Full Idea: For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available. | |
| From: report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2 | |
| A reaction: This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong). |
| 20406 | Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S] |
| Full Idea: Collingwood suggests art should be thought of not as product or artifact but as an act or process of expression through which the artist clarifies her initially vague emotions and states of mind. As such, it is a source of self-knowledge. | |
| From: report of R.G. Collingwood (The Principles of Art [1938], Ch.6) by Stephen Davies - The Philosophy of Art (2nd ed) 8.4 | |
| A reaction: I might believe this of writing novels, but not much else. |
| 19356 | Minds unconsciously count vibration beats in music, and enjoy it when they coincide [Leibniz] |
| Full Idea: In music, the soul counts the beats of the vibrating object which makes the sound, and when these beats regularly coincide at short intervals, it finds them pleasing. Thus it counts without knowing it. | |
| From: Gottfried Leibniz (On Note L to Bayle's 'Rorarius' [1705], [L]) | |
| A reaction: Only a mathematician would see music this way! He is defending his account of the unconscious mind. The proposal that we unconsciously count sounds highly implausible. He needs to recognise the patterns that ground mathematics. |
| 7909 | The Eightfold Path concerns morality, wisdom, and tranquillity [Ashvaghosha] |
| Full Idea: The Eightfold Path has three steps concerning morality - right speech, right bodily action, and right livelihood; three of wisdom - right views, right intentions, and right effort; and two of tranquillity - right mindfulness and right concentration. | |
| From: Ashvaghosha (Saundaranandakavya [c.50], XVI) | |
| A reaction: Most of this translates quite comfortably into the aspirations of western philosophy. For example, 'right effort' sounds like Kant's claim that only a good will is truly good (Idea 3710). The Buddhist division is interesting for action theory. |
| 7908 | At the end of a saint, he is not located in space, but just ceases to be disturbed [Ashvaghosha] |
| Full Idea: When an accomplished saint comes to the end, he does not go anywhere down in the earth or up in the sky, nor into any of the directions of space, but because his defilements have become extinct he simply ceases to be disturbed. | |
| From: Ashvaghosha (Saundaranandakavya [c.50], XVI) | |
| A reaction: To 'cease to be disturbed' is the most attractive account of heaven I have encountered. It all sounds a bit dull though. I wonder, as usual, how they know all this stuff. |