Combining Texts

All the ideas for 'Confessions', 'An Essay in Aesthetics' and 'Material Constitution'

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38 ideas

7. Existence / A. Nature of Existence / 2. Types of Existence
I prefer a lack of form to mean non-existence, than to think of some quasi-existence [Augustine]
     Full Idea: I sooner judged that what lacks all form does not exist, than thought of as something in between form and nothing, neither formed nor nothing, unformed and next to nothing.
     From: Augustine (Confessions [c.398], XII.6), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 03.1
     A reaction: Scholastics were struck by the contrast between this remark, and the remark of Averroes (Idea 16587) that prime matter was halfway existence. Their two great authorities disagreed! This sort of thing stimulated the revival of metaphysics.
7. Existence / D. Theories of Reality / 1. Ontologies
Three main questions seem to be whether a thing is, what it is, and what sort it is [Augustine]
     Full Idea: I am told that I can ask three sorts of questions - whether a thing is, what it is, and what sort it is.
     From: Augustine (Confessions [c.398], X.10)
     A reaction: This seems to be a very Aristotelian approach. I am pleased to see that what it is and what sort it is are not conflated. The first one must be its individual essence, and the second its generic essence.
9. Objects / C. Structure of Objects / 6. Constitution of an Object
Constitution is identity (being in the same place), or it isn't (having different possibilities) [Wasserman]
     Full Idea: Some insist that constitution is identity, on the grounds that distinct material objects cannot occupy the same place at the same time. Others argue that constitution is not identity, since the statue and its material differ in important respects.
     From: Ryan Wasserman (Material Constitution [2009], Intro)
     A reaction: The 'important respects' seem to concern possibilities rather than actualities, which is suspicious. It is misleading to think we are dealing with two things and their relation here. Objects must have constitutions; constitutions make objects.
Constitution is not identity, because it is an asymmetric dependence relation [Wasserman]
     Full Idea: For those for whom 'constitution is not identity' (the 'constitution view'), constitution is said to be an asymmetric relation, and also a dependence relation (unlike identity).
     From: Ryan Wasserman (Material Constitution [2009], 2)
     A reaction: It seems obvious that constitution is not identity, because there is more to a thing's identity than its mere constitution. But this idea makes it sound as if constitution has nothing to do with identity (chalk and cheese), and that can't be right.
There are three main objections to seeing constitution as different from identity [Wasserman]
     Full Idea: The three most common objections to the constitution view are the Impenetrability Objection (two things in one place?), the Extensionality Objection (mereology says wholes are just their parts), and the Grounding Objection (their ground is the same).
     From: Ryan Wasserman (Material Constitution [2009], 2)
     A reaction: [summary] He adds a fourth, that if two things can be in one place, why stop at two? [Among defenders of the Constitution View he lists Baker, Fine, Forbes, Koslicki, Kripke, Lowe, Oderberg, N.Salmon, Shoemaker, Simons and Yablo.]
9. Objects / C. Structure of Objects / 8. Parts of Objects / a. Parts of objects
The weight of a wall is not the weight of its parts, since that would involve double-counting [Wasserman]
     Full Idea: We do not calculate the weight of something by summing the weights of all its parts - weigh bricks and the molecules of a wall and you will get the wrong result, since you have weighed some parts more than once.
     From: Ryan Wasserman (Material Constitution [2009], 2)
     A reaction: In fact the complete inventory of the parts of a thing is irrelevant to almost anything we would like to know about the thing. The parts must be counted at some 'level' of division into parts. An element can belong to many different sets.
9. Objects / F. Identity among Objects / 3. Relative Identity
Relative identity may reject transitivity, but that suggests that it isn't about 'identity' [Wasserman]
     Full Idea: If the relative identity theorist denies transitivity (to deal with the Ship of Theseus, for example), this would make us suspect that relativised identity relations are not identity relations, since transitivity seems central to identity.
     From: Ryan Wasserman (Material Constitution [2009], 6)
     A reaction: The problem here, I think, focuses on the meaning of the word 'same'. One change of plank leaves you with the same ship, but that is not transitive. If 'identical' is too pure to give the meaning of 'the same' it's not much use in discussing the world.
12. Knowledge Sources / E. Direct Knowledge / 4. Memory
I can distinguish different smells even when I am not experiencing them [Augustine]
     Full Idea: I can distinguish the scent of lilies from that of violets, even though there is no scent at all in my nostrils.
     From: Augustine (Confessions [c.398], X.08)
     A reaction: Augustine has a nice introspective account of how we experience memory, and identifies lots of puzzling features. I know I can identify the smell of vinegar, but I can't bring it to mind, the way I can the appearance of roses.
Mind and memory are the same, as shown in 'bear it in mind' or 'it slipped from mind' [Augustine]
     Full Idea: The mind and the memory are one and the same. We even call the memory the mind, for when we tell a person to remember something, we tell them to 'bear this in mind', and when we forget something 'it slipped out of my mind'.
     From: Augustine (Confessions [c.398], X.14)
     A reaction: This idea has become familiar in modern neuroscience, I think, presumably because we do not find distinct types of neurons for consciousness and for memory.
Memory contains innumerable principles of maths, as well as past sense experiences [Augustine]
     Full Idea: The memory contains the innumerable principles and laws of numbers and dimensions. None of these can have been conveyed to me by the bodily senses.
     From: Augustine (Confessions [c.398], X.12)
     A reaction: Even if you have a fairly empirical view of the sources of mathematics (a view with which I sympathise), it must by admitted that our endless extrapolations from the sources also reside in memory. So we remember thoughts as well as experiences.
We would avoid remembering sorrow or fear if that triggered the emotions afresh [Augustine]
     Full Idea: If we had to experience sorrow or fear every time that we mentioned these emotions, no one would be willing to speak of them.
     From: Augustine (Confessions [c.398], X.14)
     A reaction: Remembering the death of a loved one can trigger fresh grief, but remembering their dangerous illness from which they recovered no longer contains the feeling of fear.
Why does joy in my mind make me happy, but joy in my memory doesn't? [Augustine]
     Full Idea: How can it be that my mind can be happy because of the joy that is in it, and yet my memory is not sad by reason of the sadness that is in it?
     From: Augustine (Confessions [c.398], X.14)
     A reaction: This seems to contradict his thought in Idea 22981, that memory and mind are the same. Recall seems to be a part of consciousness which is not fully wired up to the rest of the mind.
15. Nature of Minds / A. Nature of Mind / 6. Anti-Individualism
Memory is so vast that I cannot recognise it as part of my mind [Augustine]
     Full Idea: The memory is a vast immeasurable sanctuary. It is part of my nature, but I cannot understand all that I am. Hence the mind is too narrow to contain itself entirely. Is the other part outside of itself, and not within it? How then can it be a part?
     From: Augustine (Confessions [c.398], X.08)
     A reaction: He seems to understand the mind as entirely consisting of consciousness. Nevertheless, this seems to be the first inklings of the modern externalist view of the mind.
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
     Full Idea: The motives we actually experience are too close to us to enable us to feel them clearly. They are in a sense unintelligible.
     From: Roger Fry (An Essay in Aesthetics [1909], p.30)
     A reaction: Fry is defending the role of art in clarifying and highlighting such things, but I am not convinced by his claim. We can grasp most of our motives with a little introspection, and those we can't grasp are probably too subtle for art as well.
16. Persons / D. Continuity of the Self / 2. Mental Continuity / a. Memory is Self
Without memory I could not even speak of myself [Augustine]
     Full Idea: I do not understand the power of memory that is in myself, although without it I could not even speak of myself.
     From: Augustine (Confessions [c.398], X.16)
     A reaction: Even if the self is not identical with memory, this idea seems to establish that memory is an essential aspect of the self. This point is neglected by those who see the self as an entity (the 'soul pearl') which persists through all experience.
16. Persons / F. Free Will / 6. Determinism / a. Determinism
If the future does not exist, how can prophets see it? [Augustine]
     Full Idea: How do prophets see the future, if there is not a future to be seen?
     From: Augustine (Confessions [c.398], XI.17)
     A reaction: The answer, I suspect, is that prophets can't see the future. The prospect that the future already exists would seem to saboutage human freedom and responsibility, and point to Calvinist predestination, and even fatalism.
18. Thought / B. Mechanics of Thought / 5. Mental Files
Memories are preserved separately, according to category [Augustine]
     Full Idea: In memory everything is preserved separately, according to its category.
     From: Augustine (Confessions [c.398], X.08)
     A reaction: This strikes me as the first seeds of the idea that the mind functions by means of mental files. Our memories of cats are 'close to' or 'linked to' our memories of dogs.
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
     Full Idea: In the imaginative life no action is necessary, so the whole consciousness may be focused upon the perceptive and the emotional aspects of the experience. Hence we get a different set of values, and a different kind of perception
     From: Roger Fry (An Essay in Aesthetics [1909], p.24)
     A reaction: Good. A huge range of human activities are like scientific experiments, where you draw on our evolved faculties, but put them in controlled conditions, where the less convenient and stressful parts are absent. War and sport. Real and theatrical tragedy.
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
     Full Idea: It is only when an object exists for no other purpose than to be seen that we really look at it, …and then even the most normal person adopts to some extent the artistic attitude of pure vision abstracted from necessity.
     From: Roger Fry (An Essay in Aesthetics [1909], p.29)
     A reaction: A painter of still life looks at things which exist for other purposes, with just the attitude which Fry attributes to the viewers of the paintings. We can encourage a child to look at a flower with just this attitude.
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
     Full Idea: There is an apparent contradiction between two distinct uses of the word 'beauty', one for that which has sensuous charm, and one for the aesthetic approval of works of imaginative art where the objects presented to us are often of extreme ugliness.
     From: Roger Fry (An Essay in Aesthetics [1909], p.33)
     A reaction: The gouging of eyes in 'King Lear' was always the big problem case for aesthetics, just as nowadays it is Marcel Duchamp's wretched 'Fountain'.
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
     Full Idea: Those feelings unhappily named cosmic emotion find almost no place in life, but, since they seem to belong to certain very deep springs of our nature, do become of great importance in the arts.
     From: Roger Fry (An Essay in Aesthetics [1909], p.31)
     A reaction: Focus on the sublime was big in the romantic era, but Fry still sees its importance, and I don't think it ever goes away. Art styles which scorn the sublime are failing to perform their social duty, say I.
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
     Full Idea: The first quality that we demand in our [artistic] sensations will be order, without which our sensations will be troubled and perplexed, and the other will be variety, without which they will not be fully stimulated.
     From: Roger Fry (An Essay in Aesthetics [1909], p.32)
     A reaction: He makes good claims, but gives unconvincing reasons for them. Some of us rather like 'troubled and perplexed' sensations. And a very narrow range of sensations could still be highly stimulated. Is Fry a good aesthetician but a modest philosopher?
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
     Full Idea: If imitation is the sole purpose of the graphic arts, it is surprising that the works of such arts are ever looked upon as more than curiosities, or ingenious toys, and are ever taken seriously by grown-up people.
     From: Roger Fry (An Essay in Aesthetics [1909], p.23)
     A reaction: But then you might say that same about fine wines. A mere nice taste is hardly worthy of grown ups, and yet lots of grown ups feeling quite passionately about it. What about Fabergé eggs?
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
     Full Idea: Ordinary people have almost no idea of what things really look like, so that the one standard that popular criticism applies to painting (whether it is like nature or not) is the one which most people are prevented frm applying properly.
     From: Roger Fry (An Essay in Aesthetics [1909], p.29)
     A reaction: A nice remark, though there is a streak of Bloomsbury artistic snobbery running through Fry. Ordinary people recognise photographic realism, so they can study things closely either in the reality or the picture, should they so choose.
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
     Full Idea: In our reaction to a work of art (rather than a flower) there is the consciousness of purpose, of a peculiar relation of sympathy with the man who made this thing in order to arouse precisely the sensations we experience.
     From: Roger Fry (An Essay in Aesthetics [1909], p.33)
     A reaction: I think this is entirely right. I like the mention of 'sympathy' as well as 'purpose'.
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
     Full Idea: One notices in the visions of the cinematograph that whatever emotions are aroused by them, though they are likely to be weaker than those of ordinary life, are presented more clearly to the conscious.
     From: Roger Fry (An Essay in Aesthetics [1909], p.25)
     A reaction: Fry had probably only seen very simple melodramas, but the general idea that artistic emotions are weaker than real life, but much clearer, is quite plausible.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]
     Full Idea: To the pure moralist, accepting nothing but ethical values, to be justified, the life of the imagination must be shown not only not to hinder but actually to forward right action, otherwise it is not only useless but, by absorbing energies, harmful.
     From: Roger Fry (An Essay in Aesthetics [1909], p.26)
     A reaction: I think this is the sort of attitude you find in Samuel Johnson. Puritans even reject light music, which seems pleasantly harmless to the rest of us. 'Absorbing energies' doesn't sound much of an objection, and may not be the actual objection.
22. Metaethics / C. The Good / 2. Happiness / c. Value of happiness
Everyone wants happiness [Augustine]
     Full Idea: Surely happiness is what everyone wants, so much so that there can be none who do not want it?
     From: Augustine (Confessions [c.398], X.20)
     A reaction: His concept of happiness is, of course, religious. Occasionally you meet habitual grumblers about life who give the impression that they are only happy when they are discontented. So happiness is achieving desires, not feeling good?
27. Natural Reality / D. Time / 1. Nature of Time / c. Idealist time
Maybe time is an extension of the mind [Augustine]
     Full Idea: I begin to wonder whether time is an extension of the mind itself.
     From: Augustine (Confessions [c.398], XI.26)
     A reaction: The observation that the mind creates a 'specious present' (spreading experience out over a short fraction of second) reinforces this. Personally I like David Marshall's proposal that consciousness is entirely memory, which would deny this idea.
To be aware of time it can only exist in the mind, as memory or anticipation [Augustine, by Bardon]
     Full Idea: Augustine answers that for us to be aware of time it must exist only in the mind, …and the difference between past and future is just the difference between memory and anticipation.
     From: report of Augustine (Confessions [c.398]) by Adrian Bardon - Brief History of the Philosophy of Time 1 'Augustine's'
     A reaction: This is an extreme idealist view. Are we to say that the past consists only of what can be remembered, and the future only of what is anticipated? Absurd anti-realism, in my view. Where do his concepts come from, asks Le Poidevin.
27. Natural Reality / D. Time / 1. Nature of Time / g. Growing block
How can ten days ahead be a short time, if it doesn't exist? [Augustine]
     Full Idea: A short time ago or a short time ahead we might put at ten days, but how can anything which does not exist be either long or short?
     From: Augustine (Confessions [c.398], XI.15)
     A reaction: A nice question, which gets at the paradoxical nature of time very nicely. How can it be long, but non-existent? We could break the paradox by concluding '..and therefore time does exist', even though we can't see how.
27. Natural Reality / D. Time / 1. Nature of Time / h. Presentism
If the past is no longer, and the future is not yet, how can they exist? [Augustine]
     Full Idea: Of the three divisions of time, how can two, the past and the future, be, when the past no longer is, and the future is not yet?
     From: Augustine (Confessions [c.398], XI.14)
     A reaction: This is the oldest bewilderment about time, which naturally leads us to the thought that time cannot actually 'exist'. The remark implies that at least 'now' is safe, but that also succumbs to paradox pretty quickly.
27. Natural Reality / D. Time / 1. Nature of Time / i. Denying time
The whole of the current year is not present, so how can it exist? [Augustine]
     Full Idea: We cannot say that the whole of the current year is present, and if the whole of it is not present, the year is not present.
     From: Augustine (Confessions [c.398], XI.15)
     A reaction: Another nice way of presenting the paradox of time. We are in a particular year, so it has to be real.
27. Natural Reality / D. Time / 2. Passage of Time / a. Experience of time
I know what time is, until someone asks me to explain it [Augustine]
     Full Idea: I know well enough what time is, provided that nobody asks me; but if I am asked what it is and try to explain, I am baffled.
     From: Augustine (Confessions [c.398], XI.14)
     A reaction: A justly famous remark, even though it adds nothing to our knowledge of time. This sort of thought pushes us towards accepting many things as axiomatic, such as time, space, identity, persons, mind.
27. Natural Reality / D. Time / 2. Passage of Time / h. Change in time
I disagree with the idea that time is nothing but cosmic movement [Augustine]
     Full Idea: I once heard a learned man say that time is nothing but the movement of the sun and the moon and the stars, but I do not agree.
     From: Augustine (Confessions [c.398], XI.22)
     A reaction: It is tempting to say that you either take time or movement as axiomatic, and describe one in terms of the other, but you are stuck unable to give the initial statement of the axiom without mentioning the second property you were saving for later.
27. Natural Reality / E. Cosmology / 3. The Beginning
Heaven and earth must be created, because they are subject to change [Augustine]
     Full Idea: The fact that heaven and earth are there proclaims that they were created, for they are subject to change and variation; ..the meaning of change and variation is that something is there which was not there before.
     From: Augustine (Confessions [c.398], XI.04)
     A reaction: It seems possible that the underlying matter is eternal (as in various conservation laws, such as that of energy), and that all change is in the form rather than the substance.
28. God / A. Divine Nature / 5. God and Time
If God existed before creation, why would a perfect being desire to change things? [Augustine, by Bardon]
     Full Idea: If nothing existed by God before creation, then what could have happened to, or within, God that led God to decide to create the universe at that particular moment? Why would an eternal or perfect being want or need to change?
     From: report of Augustine (Confessions [c.398]) by Adrian Bardon - Brief History of the Philosophy of Time 1 'Augustine's'
     A reaction: I suppose you could reply that change is superior to stasis, but then why did God delay the creation?
If God is outside time in eternity, can He hear prayers? [Augustine]
     Full Idea: O Lord, since you are outside time in eternity, are you unaware of the things that I tell you?
     From: Augustine (Confessions [c.398], XI.01)
     A reaction: This strikes me as the single most difficult and most elusive question about the nature of a supreme divine being. If the being is trapped in time, as we are, it is greatly diminished, and if it is outside, it is hard to see how it could be a participant.