Combining Texts

All the ideas for 'Unconscious Cerebral Initiative', 'The Golden Bowl, and Lit as Moral Philosophy' and 'Russell's Ontological Development'

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6 ideas

2. Reason / D. Definition / 12. Paraphrase
Russell offered a paraphrase of definite description, to avoid the commitment to objects [Quine]
     Full Idea: Russell's theory involved defining a term not by presenting a direct equivalent of it, but by 'paraphrasis', providing equivalents of the sentences. In this way, reference to fictitious objects can be simulated without our being committed to the objects.
     From: Willard Quine (Russell's Ontological Development [1966], p.75)
     A reaction: I hadn't quite grasped that the modern strategy of paraphrase tracks back to Russell - though it now looks obvious, thanks to Quine. Paraphrase is a beautiful way of sidestepping ontological problems. See Frege on the moons of Jupiter.
19. Language / A. Nature of Meaning / 7. Meaning Holism / a. Sentence meaning
Taking sentences as the unit of meaning makes useful paraphrasing possible [Quine]
     Full Idea: The new freedom that Russell confers by paraphrasis (of definite descriptions) is our reward for recognising that the unit of communication is the sentence and not the word.
     From: Willard Quine (Russell's Ontological Development [1966], p.75)
     A reaction: Since many people hardly ever speak a properly formed sentence, I take propositions to be better candidates for this. However, I don't see how we can reject the compositional view (the meanings are assembled).
Knowing a word is knowing the meanings of sentences which contain it [Quine]
     Full Idea: We can say that knowing words is knowing how to work out the meanings of sentences containing them. Dictionary definitions are mere clauses in a recursive definition of the meanings of sentences.
     From: Willard Quine (Russell's Ontological Development [1966], p.76)
     A reaction: Do you have to recursively define all the sentences that might contain the word, before you can fully know the meaning of the word? He seems to credit Russell with the holistic view of sentences (though I think that starts with Frege).
20. Action / B. Preliminaries of Action / 2. Willed Action / a. Will to Act
Libet says the processes initiated in the cortex can still be consciously changed [Libet, by Papineau]
     Full Idea: Libet himself points out that the conscious decisions still have the power to 'endorse' or 'cancel', so to speak, the processes initiated by the earlier cortical activity: no action will result if the action's execution is consciously countermanded.
     From: report of Benjamin Libet (Unconscious Cerebral Initiative [1985]) by David Papineau - Thinking about Consciousness 1.4
     A reaction: This is why Libet's findings do not imply 'epiphenomenalism'. It seems that part of a decisive action is non-conscious, undermining the all-or-nothing view of consciousness. Searle tries to smuggle in free will at this point (Idea 3817).
Libet found conscious choice 0.2 secs before movement, well after unconscious 'readiness potential' [Libet, by Lowe]
     Full Idea: Libet found that a subject's conscious choice to move was about a fifth of a second before movement, and thus later than the onset of the brain's so-called 'readiness potential', which seems to imply that unconscious processes initiates action.
     From: report of Benjamin Libet (Unconscious Cerebral Initiative [1985]) by E.J. Lowe - Introduction to the Philosophy of Mind Ch.9
     A reaction: Of great interest to philosophers! It seems to make conscious choices epiphenomenal. The key move, I think, is to give up the idea of consciousness as being all-or-nothing. My actions are still initiated by 'me', but 'me' shades off into unconsciousness.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
The Aristotelian idea that choices can be perceived needs literary texts to expound it [Nussbaum]
     Full Idea: To show forth the Aristotelian claim that 'the decision rests with perception', we need - either side by side with a philosophical outline or inside it - literary texts which display the complexity, indeterminacy, and sheer difficulty of moral choice.
     From: Martha Nussbaum (The Golden Bowl, and Lit as Moral Philosophy [1983], II)
     A reaction: Berys Gaut observes that this depends on a particularist view of moral choice (usually seen as Aristotelian), with little interest in principles.