8 ideas
| 7500 | Early Greeks cared about city and companions; later Greeks concentrated on the self [Foucault] |
| Full Idea: For early Greeks their techné for life was to take care of the city, of companions (see Plato's 'Alcibiades'). Taking care of yourself for its own sake starts with the Epicureans, and becomes very general in Seneca and Pliny. | |
| From: Michel Foucault (On the Genealogy of Ethics [1983], p.260) | |
| A reaction: In Aristotle the two strike me as ideally balanced - to become a wonderful citizen by looking after yourself. Presumably the destruction of the city-states by Alexander took away the motive, and the aim became more private. |
| 7861 | Libet says the processes initiated in the cortex can still be consciously changed [Libet, by Papineau] |
| Full Idea: Libet himself points out that the conscious decisions still have the power to 'endorse' or 'cancel', so to speak, the processes initiated by the earlier cortical activity: no action will result if the action's execution is consciously countermanded. | |
| From: report of Benjamin Libet (Unconscious Cerebral Initiative [1985]) by David Papineau - Thinking about Consciousness 1.4 | |
| A reaction: This is why Libet's findings do not imply 'epiphenomenalism'. It seems that part of a decisive action is non-conscious, undermining the all-or-nothing view of consciousness. Searle tries to smuggle in free will at this point (Idea 3817). |
| 6660 | Libet found conscious choice 0.2 secs before movement, well after unconscious 'readiness potential' [Libet, by Lowe] |
| Full Idea: Libet found that a subject's conscious choice to move was about a fifth of a second before movement, and thus later than the onset of the brain's so-called 'readiness potential', which seems to imply that unconscious processes initiates action. | |
| From: report of Benjamin Libet (Unconscious Cerebral Initiative [1985]) by E.J. Lowe - Introduction to the Philosophy of Mind Ch.9 | |
| A reaction: Of great interest to philosophers! It seems to make conscious choices epiphenomenal. The key move, I think, is to give up the idea of consciousness as being all-or-nothing. My actions are still initiated by 'me', but 'me' shades off into unconsciousness. |
| 20420 | The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood] |
| Full Idea: The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased. | |
| From: R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1 | |
| A reaction: It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling. |
| 20421 | Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp] |
| Full Idea: For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available. | |
| From: report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2 | |
| A reaction: This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong). |
| 20406 | Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S] |
| Full Idea: Collingwood suggests art should be thought of not as product or artifact but as an act or process of expression through which the artist clarifies her initially vague emotions and states of mind. As such, it is a source of self-knowledge. | |
| From: report of R.G. Collingwood (The Principles of Art [1938], Ch.6) by Stephen Davies - The Philosophy of Art (2nd ed) 8.4 | |
| A reaction: I might believe this of writing novels, but not much else. |
| 7501 | Why couldn't a person's life become a work of art? [Foucault] |
| Full Idea: Couldn't everyone's life become a work of art? Why should the lamp or the house be an art object, but not our life? | |
| From: Michel Foucault (On the Genealogy of Ethics [1983], p.261) | |
| A reaction: This sounds wonderfully appealing until I try to think how I would implement it. The Augustine move, from sinner to saint, is a possibility, but there is nothing good about sin. The Christian ideal, of colossal self-sacrifice, can be very heroic. |
| 7498 | Greeks and early Christians were much more concerned about food than about sex [Foucault] |
| Full Idea: It is interesting to see the very slow move from the privileging of food, which was overwhelming in Greece, to interest in sex. Early Christians (and rules for monks) were more concerned with food. Sex only dominates from the seventeenth century. | |
| From: Michel Foucault (On the Genealogy of Ethics [1983], p.253) | |
| A reaction: Certainly the Greeks were obsessed with food, and the Sicilian Greeks were notorious for their love of it. Is it simply that food becomes more plentiful, or does female freedom lead to more sex? Puritanism hates the greatest pleasures the most. |