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13169
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I call Aristotle's entelechies 'primitive forces', which originate activity [Leibniz]
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Full Idea:
Forms establish the true general principles of nature. Aristotle calls them 'first entelechies'; I call them, perhaps more intelligibly, 'primitive forces', which contain not only act or the completion of possibility, but also an original activity.
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From:
Gottfried Leibniz (New system of communication of substances [1695], p.139)
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A reaction:
As in Idea 13168, I take Leibniz to be unifying Aristotle with modern science, and offering an active view of nature in tune with modern scientific essentialism. Laws arise from primitive force, and are not imposed from without.
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13170
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The analysis of things leads to atoms of substance, which found both composition and action [Leibniz]
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Full Idea:
There are only atoms of substance, that is, real unities absolutely destitute of parts, which are the source of actions, the first absolute principles of the composition of things, and, as it were, the final elements in the analysis of substantial things.
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From:
Gottfried Leibniz (New system of communication of substances [1695], p.142)
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A reaction:
I like this because it addresses the pure issue of the identity of an individuated object, but also links it with an active view of nature, and not some mere inventory of objects.
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20420
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The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood]
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Full Idea:
The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased.
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From:
R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1
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A reaction:
It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling.
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20421
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Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp]
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Full Idea:
For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available.
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From:
report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2
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A reaction:
This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong).
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13167
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We need the metaphysical notion of force to explain mechanics, and not just extended mass [Leibniz]
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Full Idea:
Considering 'extended mass' alone was not sufficient to explain the principles of mechanics and the laws of nature, but it is necessary to make use of the notion of 'force', which is very intelligible, despite belonging in the domain of metaphysics.
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From:
Gottfried Leibniz (New system of communication of substances [1695], p.139)
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A reaction:
We may find it surprising that force is a metaphysical concept, but that is worth pondering. It is a mysterious notion within physics. Notice the emphasis on what explains, and what is intelligible. He sees Descartes's system as too passive.
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