4 ideas
| 7628 | Broad rejects the inferential component of the representative theory [Broad, by Maund] |
| Full Idea: Broad, one of the most important modern defenders of the representative theory of perception, explicitly rejects the inferential component of the theory. | |
| From: report of C.D. Broad (Mind and Its Place in Nature [1925]) by Barry Maund - Perception Ch.1 | |
| A reaction: Since the supposed inferences happen much too quickly to be conscious, it is hard to see how we could distinguish an inference from an interpretation mechanism. Personally I interpret things long before the question of truth arises. |
| 15160 | Davidson rejected ordinary meaning, and just used truth and reference instead [Davidson, by Soames] |
| Full Idea: Davidson held that knowledge of truth and reference could give us a notion of meaning. He embraced Quine's rejection of analyticity, synonymy and ordinary meaning, and substituted truth and reference, when there was something genuine to capture. | |
| From: report of Donald Davidson (Semantics for Natural Languages [1970]) by Scott Soames - Philosophy of Language 2.3 | |
| A reaction: I always get a warm glow when anyone suggests that the concept of meaning involves the concept of truth. I largely reject Quine. Davidson made a helpful suggestion! |
| 14612 | Davidson aimed to show that language is structured by first-order logic [Davidson, by Smart] |
| Full Idea: Davidson's program was to show the underlying structure of natural languages as that of first-order logic. | |
| From: report of Donald Davidson (Semantics for Natural Languages [1970], 2) by J.J.C. Smart - The Tenseless Theory of Time 2 | |
| A reaction: First order logic just reasons about a domain of objects with predicates attached to them. Language appears to refer to properties and relations as well as objects. |
| 20344 | Music is not an expressive art, because it expresses no familiar emotions [Hanslick, by Wollheim] |
| Full Idea: Hanslick concluded from the fact that music doesn't express definite feelings like piety, love, joy, or sadness, that it isn't an art of expression. | |
| From: report of Eduard Hanslick (The Beautiful in Music [1854]) by Richard Wollheim - Art and Its Objects 48 | |
| A reaction: Whether music is 'expressive' (which it may not be) should not be confused with whether it is emotional, which it clearly is, even in its coolest examples. Hanslick viewed music as a code, not a language. |