Combining Texts

All the ideas for 'Mind and Its Place in Nature', 'Beitrage' and 'Constitutional Code I'

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3 ideas

12. Knowledge Sources / B. Perception / 6. Inference in Perception
Broad rejects the inferential component of the representative theory [Broad, by Maund]
     Full Idea: Broad, one of the most important modern defenders of the representative theory of perception, explicitly rejects the inferential component of the theory.
     From: report of C.D. Broad (Mind and Its Place in Nature [1925]) by Barry Maund - Perception Ch.1
     A reaction: Since the supposed inferences happen much too quickly to be conscious, it is hard to see how we could distinguish an inference from an interpretation mechanism. Personally I interpret things long before the question of truth arises.
18. Thought / E. Abstraction / 2. Abstracta by Selection
We form the image of a cardinal number by a double abstraction, from the elements and from their order [Cantor]
     Full Idea: We call 'cardinal number' the general concept which, by means of our active faculty of thought, arises when we make abstraction from an aggregate of its various elements, and of their order. From this double abstraction the number is an image in our mind.
     From: George Cantor (Beitrage [1915], §1), quoted by Kit Fine - Cantorian Abstraction: Recon. and Defence Intro
     A reaction: [compressed] This is the great Cantor, creator of set theory, endorsing the traditional abstractionism which Frege and his followers so despise. Fine offers a defence of it. The Frege view is platonist, because it refuses to connect numbers to the world.
22. Metaethics / C. The Good / 3. Pleasure / b. Types of pleasure
Prejudice apart, push-pin has equal value with music and poetry [Bentham]
     Full Idea: Prejudice apart, the game of push-pin is of equal value with the arts and science of music and poetry.
     From: Jeremy Bentham (Constitutional Code I [1827], p.139), quoted by J.R. Dinwiddy - Bentham p.114
     A reaction: Mill quoted this with implied outrage, but Bentham was attacking public subsidies to the arts when he said it. It is a basic idea in the debate on pleasure - that pleasures are only distinguished by their intensity, not some other value.