11 ideas
| 14767 | The demonstrations of the metaphysicians are all moonshine [Peirce] |
| Full Idea: The demonstrations of the metaphysicians are all moonshine. | |
| From: Charles Sanders Peirce (Concerning the Author [1897], p.2) |
| 14764 | I am saturated with the spirit of physical science [Peirce] |
| Full Idea: I am saturated, through and through, with the spirit of the physical sciences. | |
| From: Charles Sanders Peirce (Concerning the Author [1897], p.1) |
| 13831 | Logic is based on transitions between sentences [Prawitz] |
| Full Idea: I agree entirely with Dummett that the right way to answer the question 'what is logic?' is to consider transitions between sentences. | |
| From: Dag Prawitz (Gentzen's Analysis of First-Order Proofs [1974], §04) | |
| A reaction: I always protest at this point that reliance on sentences is speciesism against animals, who are thereby debarred from reasoning. See the wonderful Idea 1875 of Chrysippus. Hacking's basic suggestion seems right. Transition between thoughts. |
| 13825 | Natural deduction introduction rules may represent 'definitions' of logical connectives [Prawitz] |
| Full Idea: With Gentzen's natural deduction, we may say that the introductions represent, as it were, the 'definitions' of the logical constants. The introductions are not literally understood as 'definitions'. | |
| From: Dag Prawitz (Gentzen's Analysis of First-Order Proofs [1974], 2.2.2) | |
| A reaction: [Hacking, in 'What is Logic? §9' says Gentzen had the idea that his rules actually define the constants; not sure if Prawitz and Hacking are disagreeing] |
| 13823 | In natural deduction, inferences are atomic steps involving just one logical constant [Prawitz] |
| Full Idea: In Gentzen's natural deduction, the inferences are broken down into atomic steps in such a way that each step involves only one logical constant. The steps are the introduction or elimination of the logical constants. | |
| From: Dag Prawitz (Gentzen's Analysis of First-Order Proofs [1974], 1.1) |
| 14768 | Infallibility in science is just a joke [Peirce] |
| Full Idea: Infallibility in scientific matters seems to me irresistibly comical. | |
| From: Charles Sanders Peirce (Concerning the Author [1897], p.3) |
| 14765 | Association of ideas is the best philosophical idea of the prescientific age [Peirce] |
| Full Idea: The doctrine of the association of ideas is, to my thinking, the finest piece of philosophical work of the prescientific ages. | |
| From: Charles Sanders Peirce (Concerning the Author [1897], p.2) |
| 14766 | Duns Scotus offers perhaps the best logic and metaphysics for modern physical science [Peirce] |
| Full Idea: The works of Duns Scotus have strongly influenced me. …His logic and metaphysics, torn away from its medievalism, …will go far toward supplying the philosophy which is best to harmonize with physical science. | |
| From: Charles Sanders Peirce (Concerning the Author [1897], p.2) |
| 7276 | All art is quite useless [Wilde] |
| Full Idea: All art is quite useless. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: Echoes Kant's thought that art is 'purposive without purpose'. Although I find Wilde's claims that morality has nothing to do with art to be naïve, I find this remark sympathetic. Art may play with moral feelings, but is unlikely to affect actions. |
| 7274 | Books are only well or badly written, not moral or immoral [Wilde] |
| Full Idea: There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: This is simply false. Novels that are viciously (or subtly) racist, sexist, homophobic, or egotistical can obviously be immoral. I could write a nasty story about Oscar Wilde. It might, though, be very well written. If life is moral, so are novels. |
| 7275 | Having ethical sympathies is a bad mannerism of style in an artist [Wilde] |
| Full Idea: No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: This has a Nietzschean suggestion that the artist is 'beyond good and evil', and operates on some higher level of values, which in Wilde's case seem to be purely aesthetic. You can't justify a callous murder by executing it beautifully. |