3 ideas
| 19087 | The meaning or purport of a symbol is all the rational conduct it would lead to [Peirce] |
| Full Idea: The entire intellectual purport of any symbol consists in the total of all modes of rational conduct which, conditionally upon all the possible different circumstances and desires, would ensue upon the acceptance of the symbol. | |
| From: Charles Sanders Peirce (Issues of Pragmaticism [1905], EP ii.246), quoted by Danielle Macbeth - Pragmatism and Objective Truth p.169 n1 | |
| A reaction: Macbeth says pragmatism is founded on this theory of meaning, rather than on a theory of truth. I don't see why the causes of a symbol shouldn't be as much a part of its meaning as the consequences are. |
| 20344 | Music is not an expressive art, because it expresses no familiar emotions [Hanslick, by Wollheim] |
| Full Idea: Hanslick concluded from the fact that music doesn't express definite feelings like piety, love, joy, or sadness, that it isn't an art of expression. | |
| From: report of Eduard Hanslick (The Beautiful in Music [1854]) by Richard Wollheim - Art and Its Objects 48 | |
| A reaction: Whether music is 'expressive' (which it may not be) should not be confused with whether it is emotional, which it clearly is, even in its coolest examples. Hanslick viewed music as a code, not a language. |
| 6581 | Hume thought (unlike Locke) that property is a merely conventional relationship [Hume, by Fogelin] |
| Full Idea: Hume thought (in contrast to Locke) that property reflects a conventional (rather than natural) relationship determined by the laws that protect people from having things taken from them. | |
| From: report of David Hume (Nine political essays [1741]) by Robert Fogelin - Walking the Tightrope of Reason Ch.3 | |
| A reaction: It seems pretty obvious that the idea of property was invented by the powerful, to protect their gains against the weak. I suspect that you might till a piece of land simply in order to assert ownership of it, just as you might bring in colonists. |