9 ideas
| 14767 | The demonstrations of the metaphysicians are all moonshine [Peirce] |
| Full Idea: The demonstrations of the metaphysicians are all moonshine. | |
| From: Charles Sanders Peirce (Concerning the Author [1897], p.2) |
| 14764 | I am saturated with the spirit of physical science [Peirce] |
| Full Idea: I am saturated, through and through, with the spirit of the physical sciences. | |
| From: Charles Sanders Peirce (Concerning the Author [1897], p.1) |
| 15034 | Are genera and species real or conceptual? bodies or incorporeal? in sensibles or separate from them? [Porphyry] |
| Full Idea: I shall beg off talking of a) whether genera and species are real or situated in bare thoughts alone, b) whether as real they are bodies or incorporeals, and c) whether they are separated or in sensibles and have their reality in connection with them. | |
| From: Porphyry (Isagoge ('Introduction') [c.295], (2)) | |
| A reaction: This passage, picking up on Aristotle, seems to be the original source that grew into the medievel debate about universals. It seems to rather neatly lay out the agenda for the universals debate which is still with us. |
| 14768 | Infallibility in science is just a joke [Peirce] |
| Full Idea: Infallibility in scientific matters seems to me irresistibly comical. | |
| From: Charles Sanders Peirce (Concerning the Author [1897], p.3) |
| 14765 | Association of ideas is the best philosophical idea of the prescientific age [Peirce] |
| Full Idea: The doctrine of the association of ideas is, to my thinking, the finest piece of philosophical work of the prescientific ages. | |
| From: Charles Sanders Peirce (Concerning the Author [1897], p.2) |
| 14766 | Duns Scotus offers perhaps the best logic and metaphysics for modern physical science [Peirce] |
| Full Idea: The works of Duns Scotus have strongly influenced me. …His logic and metaphysics, torn away from its medievalism, …will go far toward supplying the philosophy which is best to harmonize with physical science. | |
| From: Charles Sanders Peirce (Concerning the Author [1897], p.2) |
| 12167 | Reference without predication is the characteristic of expression [Scruton] |
| Full Idea: Characteristic of expression is the presence of 'reference' without predication. | |
| From: Roger Scruton (Representation in Music [1976], p.71) | |
| A reaction: This echoes (in linguistic terms) Kant's thought that art is 'purposive without purpose'. The remark is comfortable in an essay on music, but it gets more tricky when the topic is literature, or even representational painting. |
| 12166 | If music refers to love, it contains no predication, so it is expression, not language [Scruton] |
| Full Idea: If a passage carries a reference to love, we are not told what it says about love. And to speak of language with 'reference' but no predication is simply to misuse the word. We leave the realm of representation and enter that of expression. | |
| From: Roger Scruton (Representation in Music [1976], p.63-4) | |
| A reaction: This is a beautifully simple objection to the idea (associated with Nelson Goodman) that art is a language. Though what an 'expression' of something amounts to I am not quite sure. |
| 12168 | Music is not representational, since thoughts about a subject are never essential to it [Scruton] |
| Full Idea: Music is not representational, since thoughts about a subject are never essential to the understanding of music. | |
| From: Roger Scruton (Representation in Music [1976], p.74) | |
| A reaction: I would not have thought that many people thought music was representational, but Scruton particularly mentions passages in opera that seem to pick up aspects of the story. Do even bell sounds not represent bells? |