5 ideas
| 22708 | Good reasons must give way to better [Shakespeare] |
| Full Idea: Good reasons must of force give way to better. | |
| From: William Shakespeare (Julius Caesar [1599], 4.3.205) | |
| A reaction: [Brutus to Cassius] This remark is an axiom of rationality. But, of course, reasons can come in groups, and three modest reasons may compete with one very good reason. |
| 21373 | We become objective when we detach ourselves from the world [Janaway] |
| Full Idea: We apprehend the world purely objectively, only when we no longer know that we belong to it. | |
| From: Christopher Janaway (Schopenhauer [1994], II:368), quoted by Christopher Janaway - Schopenhauer 6 'Objectivity' | |
| A reaction: Since we are not actually detached from the world, that makes objective thought an act of imagination. And none the worse for that, I would say, since philosophers don't seem to understand the central epistemological importance of imagination. |
| 20304 | The cause of my action is in my will [Shakespeare] |
| Full Idea: The cause is in my will. I will not come./That is enough to satisfy the senate./But for your private satisfaction,/Because I love you, I will let you know. | |
| From: William Shakespeare (Julius Caesar [1599], II.ii) | |
| A reaction: This asserts the purest form of volitionism, but then qualifies it, because Caesar's will has been influenced by his wife's dreams. |
| 12165 | Romantics say music expresses ideas, or the Will, or intuitions, or feelings [Scruton] |
| Full Idea: According to the Romantic theory music was an expression of something, of an idea (Hegel), of the Will (Schopenhauer), of 'intuitions' (Croce), or of feelings (Collingwood). | |
| From: Roger Scruton (The Nature of Musical Expression [1981], p.54) | |
| A reaction: Deryck Cooke was the culmination of music as expression of feeling, and Stravinsky was the greatest rebel against the whole idea of expression in music. You can set out to create interesting music which does or does not grab the emotions. |
| 12164 | Expressing melancholy is a good thing, but arousing it is a bad thing [Scruton] |
| Full Idea: To describe a piece of music as expressive of melancholy is to give a reason for listening to it; to describe it as arousing or evoking melancholy is to give a reason for avoiding it. | |
| From: Roger Scruton (The Nature of Musical Expression [1981], p.49) | |
| A reaction: Expressing sexual desire, while avoiding arousing it, is the nice challenge for a particular type of art. Would Scruton say that expressing joy is a good thing, but arousing it is bad? It is a nice observation, though. |