11 ideas
| 9169 | A statement can be metaphysically necessary and epistemologically contingent [Putnam] |
| Full Idea: A statement can be (metaphysically) necessary and epistemologically contingent. Human intuition has no privileged access to metaphysical necessity. | |
| From: Hilary Putnam (Meaning and Reference [1973], p.160) | |
| A reaction: The terminology here is dangerously confusing. 'Contingent' is a term which (as Kripke insists) refers to reality, not to our epistemological abilities. The locution of adding the phrase "for all I know" seems to handle the problem better. |
| 5819 | Conceivability is no proof of possibility [Putnam] |
| Full Idea: Conceivability is no proof of possibility. | |
| From: Hilary Putnam (Meaning and Reference [1973], p.159) | |
| A reaction: This strikes me as a really basic truth which all novice philosophers should digest. It led many philosophers, especially rationalists, into all sorts of ill-founded claims about what is possible or necessary. Zombies, for instance… |
| 9168 | I can't distinguish elm trees, but I mean by 'elm' the same set of trees as everybody else [Putnam] |
| Full Idea: My concept of an elm tree is exactly the same as my concept of a beech tree (I blush to confess). ..We still say that the extension of 'elm' in my idiolect is the same as the extension of 'elm' in anyone else's, viz. the set of all elm trees. | |
| From: Hilary Putnam (Meaning and Reference [1973], p.154) | |
| A reaction: This example is clearer and less open to hair-splitting than his water/XYZ example. You could, with Putnam, say that his meaning of 'elm' is outside his head, but you could also say that he doesn't understand the word very well. |
| 5820 | 'Water' has an unnoticed indexical component, referring to stuff around here [Putnam] |
| Full Idea: Our theory can be summarized as saying that words like 'water' have an unnoticed indexical component: "water" is stuff that bears a certain similarity relation to the water around here. | |
| From: Hilary Putnam (Meaning and Reference [1973], p.160) | |
| A reaction: This is the causal theory of reference, which leads to externalism about concepts, which leads to an externalist view of thought, which undermines internal accounts of the mind like functionalism, and leaves little room for scepticism… Etc. |
| 17722 | The concept 'red' is tied to what actually individuates red things [Peacocke] |
| Full Idea: The possession conditions for the concept 'red' of the colour red are tied to those very conditions which individuate the colour red. | |
| From: Christopher Peacocke (Explaining the A Priori [2000], p.267), quoted by Carrie Jenkins - Grounding Concepts 2.5 | |
| A reaction: Jenkins reports that he therefore argues that we can learn something about the word 'red' from thinking about the concept 'red', which is his new theory of the a priori. I find 'possession conditions' and 'individuation' to be very woolly concepts. |
| 9170 | We need to recognise the contribution of society and of the world in determining reference [Putnam] |
| Full Idea: Traditional semantic theory leaves out two contributions to the determination of reference - the contribution of society and the contribution of the real world; a better semantic theory must encompass both. | |
| From: Hilary Putnam (Meaning and Reference [1973], p.161) | |
| A reaction: I strongly agree that there is a social aspect to reference-fixing, but I am much more dubious about the world 'determining' anything. The whole of his Twin Earth point could be mopped up by a social account, with 'experts' as the key idea. |
| 5817 | Language is more like a cooperative steamship than an individual hammer [Putnam] |
| Full Idea: There are tools like a hammer used by one person, and there are tools like a steamship which require cooperative activity; words have been thought of too much on the model of the first sort of tool. | |
| From: Hilary Putnam (Meaning and Reference [1973], p.156) | |
| A reaction: This clear thought strikes me as the most fruitful and sensible consequence of Wittgenstein's later ideas (as opposed to the relativistic 'language game' ideas). I am unconvinced that a private language is logically impossible, but it would be feeble. |
| 20420 | The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood] |
| Full Idea: The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased. | |
| From: R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1 | |
| A reaction: It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling. |
| 20421 | Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp] |
| Full Idea: For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available. | |
| From: report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2 | |
| A reaction: This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong). |
| 20406 | Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S] |
| Full Idea: Collingwood suggests art should be thought of not as product or artifact but as an act or process of expression through which the artist clarifies her initially vague emotions and states of mind. As such, it is a source of self-knowledge. | |
| From: report of R.G. Collingwood (The Principles of Art [1938], Ch.6) by Stephen Davies - The Philosophy of Art (2nd ed) 8.4 | |
| A reaction: I might believe this of writing novels, but not much else. |
| 5818 | If water is H2O in the actual world, there is no possible world where it isn't H2O [Putnam] |
| Full Idea: Once we have discovered that water (in the actual world) is H2O, nothing counts as a possible world in which water isn't H2O. | |
| From: Hilary Putnam (Meaning and Reference [1973], p.159) | |
| A reaction: Presumably there could be a possible world in which water is a bit cloudy, so the fact that it is H2O is being judged as essential. Presumably the scientists in the possible world might discover that we are wrong about the chemistry of water? |