Combining Texts

All the ideas for 'Explaining the A Priori', 'On Husserl' and 'What Metaphors Mean'

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7 ideas

11. Knowledge Aims / C. Knowing Reality / 4. Solipsism
The Cogito demands a bridge to the world, and ends in isolating the ego [Velarde-Mayol]
     Full Idea: All philosophies inspired in the Cogito have the problem of building a bridge from the starting point of consciousness to the external world. The result of this is the isolation and solitude of the very ego.
     From: Victor Velarde-Mayol (On Husserl [2000], 4.7.2)
     A reaction: This strikes me as a pretty good reason not to develop a philosophy which is inspired by the Cogito.
12. Knowledge Sources / B. Perception / 3. Representation
The representation may not be a likeness [Velarde-Mayol]
     Full Idea: Representationalism is the doctrine that maintains that the object is represented in consciousness by means of an image. ...One should not confuse an image with a likeness.
     From: Victor Velarde-Mayol (On Husserl [2000], 2.4.3)
     A reaction: Helpful reminder that sense-data or whatever may not be a likeness. But then how do they represent? Symbolic representation needs massive interpretation.
18. Thought / D. Concepts / 2. Origin of Concepts / a. Origin of concepts
The concept 'red' is tied to what actually individuates red things [Peacocke]
     Full Idea: The possession conditions for the concept 'red' of the colour red are tied to those very conditions which individuate the colour red.
     From: Christopher Peacocke (Explaining the A Priori [2000], p.267), quoted by Carrie Jenkins - Grounding Concepts 2.5
     A reaction: Jenkins reports that he therefore argues that we can learn something about the word 'red' from thinking about the concept 'red', which is his new theory of the a priori. I find 'possession conditions' and 'individuation' to be very woolly concepts.
19. Language / F. Communication / 6. Interpreting Language / d. Metaphor
Metaphors just mean what their words literally mean [Davidson]
     Full Idea: Metaphors mean what the words, in their most literal interpretation, mean, and nothing more.
     From: Donald Davidson (What Metaphors Mean [1978], p.30)
     A reaction: This pronouncement must be the result of Davidson anguishing over the truth conditions for metaphors, which are usually either taken to have a 'metaphorical meaning', or to be abbreviated similes. He solved his problem at a stroke! Plausible.
Understanding a metaphor is a creative act, with no rules [Davidson]
     Full Idea: Understanding a metaphor is as much a creative endeavour as making a metaphor, and as little guided by rules.
     From: Donald Davidson (What Metaphors Mean [1978], p.29)
     A reaction: This is good news for literature studies courses. Davidson's point is that the metaphor itself only gives you a literal meaning, so it doesn't tell you how to interpret it. It seems an attractive proposal.
We accept a metaphor when we see the sentence is false [Davidson]
     Full Idea: It is only when a sentence is taken to be false that we accept it as a metaphor.
     From: Donald Davidson (What Metaphors Mean [1978], p.40)
     A reaction: This strikes me as a very nice and true generalisation, even though Davidson mentions "no man is an island" as a counterexample. We thirst for meaning, and switch to a second meaning when the first one looks peculiar.
26. Natural Theory / D. Laws of Nature / 8. Scientific Essentialism / d. Knowing essences
Find the essence by varying an object, to see what remains invariable [Velarde-Mayol]
     Full Idea: Eidetic Reduction consists of producing variations in the individual object until we see what is invariable in it. What is invariable is its essence or Eidos.
     From: Victor Velarde-Mayol (On Husserl [2000], 3.2.2)
     A reaction: This strikes me as an excellent idea. It more or less describes the method of science. Chemical atoms were thought to be unsplittable, until someone tried a new variation for dealing with them.