14 ideas
| 18085 | Values that approach zero, becoming less than any quantity, are 'infinitesimals' [Cauchy] |
| Full Idea: When the successive absolute values of a variable decrease indefinitely in such a way as to become less than any given quantity, that variable becomes what is called an 'infinitesimal'. Such a variable has zero as its limit. | |
| From: Augustin-Louis Cauchy (Cours d'Analyse [1821], p.19), quoted by Philip Kitcher - The Nature of Mathematical Knowledge 10.4 | |
| A reaction: The creator of the important idea of the limit still talked in terms of infinitesimals. In the next generation the limit took over completely. |
| 18084 | When successive variable values approach a fixed value, that is its 'limit' [Cauchy] |
| Full Idea: When the values successively attributed to the same variable approach indefinitely a fixed value, eventually differing from it by as little as one could wish, that fixed value is called the 'limit' of all the others. | |
| From: Augustin-Louis Cauchy (Cours d'Analyse [1821], p.19), quoted by Philip Kitcher - The Nature of Mathematical Knowledge 10.4 | |
| A reaction: This seems to be a highly significan proposal, because you can now treat that limit as a number, and adds things to it. It opens the door to Cantor's infinities. Is the 'limit' just a fiction? |
| 7357 | People who control others with fluent language often end up being hated [Kongzi (Confucius)] |
| Full Idea: Of what use is eloquence? He who engages in fluency of words to control men often finds himself hated by them. | |
| From: Kongzi (Confucius) (The Analects (Lunyu) [c.511 BCE], V.5) | |
| A reaction: I don't recall Socrates making this very good point to any of the sophists (such as Gorgias). The idea that if you battle or connive your way to dominance over others then you are successful is false. Life is a much longer game than that. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 7358 | All men prefer outward appearance to true excellence [Kongzi (Confucius)] |
| Full Idea: I have yet to meet a man as fond of excellence as he is of outward appearances. | |
| From: Kongzi (Confucius) (The Analects (Lunyu) [c.511 BCE], IX.18) | |
| A reaction: Interestingly, this cynical view of the love of virtue is put by Plato into the mouths of Glaucon and Adeimantus (in Bk II of 'Republic', e.g. Idea 12), and not into the mouth of Socrates, who goes on to defend the possibility of true virtue. |
| 7362 | Humans are similar, but social conventions drive us apart (sages and idiots being the exceptions) [Kongzi (Confucius)] |
| Full Idea: In our natures we approximate one another; habits put us further and further apart. The only ones who do not change are sages and idiots. | |
| From: Kongzi (Confucius) (The Analects (Lunyu) [c.511 BCE], XVII.2) | |
| A reaction: I find most of Confucius rather uninteresting, but this is a splendid remark about the influence of social conventions on human nature. Sages can achieve universal morality if they rise above social convention, and seek the true virtues of human nature. |
| 7360 | Do not do to others what you would not desire yourself [Kongzi (Confucius)] |
| Full Idea: Do not do to others what you would not desire yourself. Then you will have no enemies, either in the state or in your home. | |
| From: Kongzi (Confucius) (The Analects (Lunyu) [c.511 BCE], XII.2) | |
| A reaction: The Golden Rule, but note the second sentence. Logically, it leads to the absurdity of not giving someone an Elvis record for Christmas because you yourself don't like Elvis. Kant (Idea 3733) and Nietzsche (Idea 4560) offer good criticisms. |
| 7359 | Excess and deficiency are equally at fault [Kongzi (Confucius)] |
| Full Idea: Excess and deficiency are equally at fault. | |
| From: Kongzi (Confucius) (The Analects (Lunyu) [c.511 BCE], XI.16) | |
| A reaction: This is the sort of wisdom we admire in Aristotle (and in any sensible person), but it may also be the deepest motto of conservatism, and it is a long way from romantic philosophy, and the clarion call of Nietzsche to greater excitement in life. |
| 7363 | The virtues of the best people are humility, maganimity, sincerity, diligence, and graciousness [Kongzi (Confucius)] |
| Full Idea: He who in this world can practise five things may indeed be considered Man-at-his-best: humility, maganimity, sincerity, diligence, and graciousness. | |
| From: Kongzi (Confucius) (The Analects (Lunyu) [c.511 BCE], XVII.5) | |
| A reaction: A very nice list. Who could resist working with a colleague who had such virtues? Who could go wrong if they married a person who had them? I can't think of anything important that is missing. |
| 7361 | Men of the highest calibre avoid political life completely [Kongzi (Confucius)] |
| Full Idea: Men of the highest calibre avoid political life completely. | |
| From: Kongzi (Confucius) (The Analects (Lunyu) [c.511 BCE], XIV.37) | |
| A reaction: Plato notes that such people tend to avoid political life (and a left sheltering, as if from a wild storm!), but he thinks they should be dragged into the political arena for the common good. Confucius seems to approve of the avoidance. Plato is right. |
| 23393 | Confucianism assumes that all good developments have happened, and there is only one Way [Norden on Kongzi (Confucius)] |
| Full Idea: The two major limitations of Confucianism are that it assumes that all worthwhile cultural, social and ethical innovation has already occurred, and that it does not recognise the plurality of worthwhile ways of life. | |
| From: comment on Kongzi (Confucius) (The Analects (Lunyu) [c.511 BCE]) by Bryan van Norden - Intro to Classical Chinese Philosophy 3.III | |
| A reaction: In modern liberal terms that is about as conservative as it is possible to get. We think of it as the state of mind of an old person who can only long for the way things were when they were young. But 'hold fast to that which is good'! |