15 ideas
| 22701 | Jokes can sometimes be funny because they are offensive [Jacobson,D] |
| Full Idea: Sometimes it is exactly what is offensive about a joke that makes it funny. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: Jacobson offers this in support of his immoralist view, that immoral literature can be aesthetically successful. It is uncomfortable to find yourself laughing at a joke of which you disapprove. |
| 14330 | To be realists about dispositions, we can only discuss them through their categorical basis [Armstrong] |
| Full Idea: It is only to the extent that we relate disposition to 'categorical basis', and difference of disposition to difference of 'categorical basis', that we can speak of dispositions. We must be Realists, not Phenomenalists, about dispositions. | |
| From: David M. Armstrong (A Materialist Theory of Mind (Rev) [1968], 6.VI) | |
| A reaction: It is Armstrong's realism which motivates this claim, because he thinks only categorical properties are real. But categorical properties seem to be passive, and the world is active. |
| 6498 | Armstrong suggests secondary qualities are blurred primary qualities [Armstrong, by Robinson,H] |
| Full Idea: According to D.M. Armstrong and others, when we perceive secondary qualities we are in fact perceiving primary qualities in a confused, indistinct or blurred way. | |
| From: report of David M. Armstrong (A Materialist Theory of Mind (Rev) [1968], 270-90) by Howard Robinson - Perception III.1 | |
| A reaction: This is obviously an attempt to fit secondary qualities into a reductive physicalist account of the mind. Personally I favour Armstrong's project, but doubt whether this strategy is necessary. I just don't think there is anything 'primary' about redness. |
| 5690 | A mental state without belief refutes self-intimation; a belief with no state refutes infallibility [Armstrong, by Shoemaker] |
| Full Idea: For Armstrong, introspection involves a belief, and mental states and their accompanying beliefs are 'distinct existences', so a state without belief shows states are not self-intimating, and the belief without the state shows beliefs aren't infallible. | |
| From: report of David M. Armstrong (A Materialist Theory of Mind (Rev) [1968]) by Sydney Shoemaker - Introspection | |
| A reaction: I agree with Armstrong. Introspection is a two-level activity, which animals probably can't do, and there is always the possibility of a mismatch between the two levels, so introspection is neither self-intimating nor infallibe (though incorrigible). |
| 5493 | If pains are defined causally, and research shows that the causal role is physical, then pains are physical [Armstrong, by Lycan] |
| Full Idea: Armstrong and Lewis said that mental items were defined in terms of typical causes and effects; if, as seems likely, research reveals that a particular causal niche is occupied by a physical state, it follows that pain is a physical state. | |
| From: report of David M. Armstrong (A Materialist Theory of Mind (Rev) [1968]) by William Lycan - Introduction - Ontology p.5 | |
| A reaction: I am not fully convinced of the first step in the argument. It sounds like the epistemology and the ontology have got muddled (as usual). We define mental states as we define electrons, in terms of observed behaviour, but what are they? |
| 4600 | Armstrong and Lewis see functionalism as an identity of the function and its realiser [Armstrong, by Heil] |
| Full Idea: The Armstrong/Lewis version of functionalism takes mental properties to be functional properties, but identifies these with what other functionalists would regard as their realisers. | |
| From: report of David M. Armstrong (A Materialist Theory of Mind (Rev) [1968]) by John Heil - Philosophy of Mind Ch.4 | |
| A reaction: Heil rejects this, but I am beginning to think that this is the answer. If functions do not have an ontological life of their own (the 'ringing' of the bell), then functionalist mental states can't either. Function is not an ontological category. |
| 22703 | We don't often respond to events in art as if they were real events [Jacobson,D] |
| Full Idea: We routinely do not respond to art as if we were as if we were real-life spectators of its events. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'rejection') | |
| A reaction: This strikes me as one of the basic facts about aesthetics, and especially of narrative art. People sometimes encounter terrible events on the street, only to find someone is making a film. |
| 22702 | Audiences can be too moral [Jacobson,D] |
| Full Idea: An audience can be overly moralistic. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: People can be too moral in real life as well. Goody Two Shoes. |
| 22696 | 'Autonomism' says the morality is irrelevant to the aesthetics [Jacobson,D] |
| Full Idea: 'Autonomism' is the theory that the intrinsic moral merits and defects of an artwork are irrelevant to its aesthetic value. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: This contrasts with 'moralism', which says the ethics is part of the aesthetics. Autonomism seems to be the modern academic label for art for art's sake. In nineteenth century novels the ethics are central; in modernist novels they seem to be irrelevant. |
| 22697 | Moral defects of art can be among its aesthetic virtues [Jacobson,D] |
| Full Idea: To put my claim most provocatively: the moral defects in a work of art can be among its aesthetic virtues. This claim has been called 'immoralism'. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: To describe sympathetic descriptions of vile moral behaviour as 'defects' may be a misunderstanding. If a work sets out to promote wickedness, then its wickedness isn't a defect in the work. It could be a masterpiece of corruption. |
| 22700 | Immoral art encourages immoral emotions [Jacobson,D] |
| Full Idea: Humean moralism includes the view that immoral art prescribes unethical emotional responses. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: [He cites Hume's 'On the Standard of Taste'] 'Prescribes' is tricky. Is a vivid description of wicked events, given without comment, a prescription? What if the commentary condemns, but the description entices? Trust the work itself, said Lawrence. |
| 22699 | Moderate moralism says moral qualities can sometimes also be aesthetic qualities [Jacobson,D] |
| Full Idea: Noël Carroll's moderate moralism maintains that some moral defects in artworks are aesthetic defects, and some moral virtues are aesthetic merits. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'How moderate') | |
| A reaction: I'm beginning to think that moralist critics are confusing morality and wisdom. We don't admire novels for hammering on about goodness. We admire their insight into characters and actions, of which the most interesting aspects happen to be moral. |
| 22698 | We can judge art ethically, or rate its ethical influence, or assess its quality via its ethics [Jacobson,D] |
| Full Idea: Ethical criticism includes 1) ethical judgements of art works, 2) assessment of an art work's role in moral education, or 3) bringing moral praise or censure to bear on the aesthetic evaluation. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'What is') | |
| A reaction: [a compressed summary of Jacobson. He cites Levinson 1998 and Carroll 2000 as examples of ethical criticism] |
| 541 | Virtue comes more from habit than character [Critias] |
| Full Idea: More men are good through habit than through character. | |
| From: Critias (fragments/reports [c.440 BCE], B09), quoted by John Stobaeus - Anthology 3.29.41 |
| 542 | Fear of the gods was invented to discourage secret sin [Critias] |
| Full Idea: When the laws forbade men to commit open crimes of violence, and they began to do them in secret, a wise and clever man invented fear of the gods for mortals, to frighten the wicked, even if they sin in secret. | |
| From: Critias (fragments/reports [c.440 BCE], B25), quoted by Sextus Empiricus - Against the Professors (six books) 9.54 |