4 ideas
| 7439 | The qualities involved in sensations are entirely intentional [Anscombe, by Armstrong] |
| Full Idea: Anscombe argued that the qualities involved in sensations are one and all intentional only (and I think this holds even for the bodily sensations). | |
| From: report of G.E.M. Anscombe (The Intentionality of Sensation [1965]) by David M. Armstrong - Pref to new 'Materialist Theory' p.xxii | |
| A reaction: Compare Harry Gildersleve's exactly opposite proposal in Idea 7272. I think I am coming round to the Anscombe view, which builds the more mysterious up from the less mysterious. Gildersleve must explain how atomic qualia arise. |
| 20444 | If paintings could be perfectly duplicated, it would be a multiple art form [Currie, by Bacharach] |
| Full Idea: Currie claims that, in principle, all art forms are multiple. A superxerox machine, duplicating a painting molecule by molecule, would show that paintings are singular only contingently. | |
| From: report of Gregory Currie (An Ontology of Art [1988]) by Sondra Bacharach - Arthur C. Danto 3 | |
| A reaction: This strikes me as correct. An original painting would then have the same status as the manuscript of a poem, giving it an authority, and being moving by its personal contact with the artist. But worth far less than current original paintings. |
| 541 | Virtue comes more from habit than character [Critias] |
| Full Idea: More men are good through habit than through character. | |
| From: Critias (fragments/reports [c.440 BCE], B09), quoted by John Stobaeus - Anthology 3.29.41 |
| 542 | Fear of the gods was invented to discourage secret sin [Critias] |
| Full Idea: When the laws forbade men to commit open crimes of violence, and they began to do them in secret, a wise and clever man invented fear of the gods for mortals, to frighten the wicked, even if they sin in secret. | |
| From: Critias (fragments/reports [c.440 BCE], B25), quoted by Sextus Empiricus - Against the Professors (six books) 9.54 |