29 ideas
| 6334 | The function of the truth predicate? Understanding 'true'? Meaning of 'true'? The concept of truth? A theory of truth? [Horwich] |
| Full Idea: We must distinguish the function of the truth predicate, what it is to understand 'true', the meaning of 'true', grasping the concept of truth, and a theory of truth itself. | |
| From: Paul Horwich (Truth (2nd edn) [1990], Ch.2.8) | |
| A reaction: It makes you feel tired to think about it. Presumably every other philosophical analysis has to do this many jobs. Clearly Horwich wants to propose one account which will do all five jobs. Personally I don't believe these five are really distinct. |
| 6342 | Some correspondence theories concern facts; others are built up through reference and satisfaction [Horwich] |
| Full Idea: One correspondence theory (e.g. early Wittgenstein) concerns representations and facts; alternatively (Tarski, Davidson) the category of fact is eschewed, and the truth of sentences or propositions is built out of relations of reference and satisfaction. | |
| From: Paul Horwich (Truth (2nd edn) [1990], Ch.7.35) | |
| A reaction: A helpful distinction. Clearly the notion of a 'fact' is an elusive one ("how many facts are there in this room?"), so it seems quite promising to say that the parts of the sentence correspond, rather than the whole thing. |
| 6332 | The common-sense theory of correspondence has never been worked out satisfactorily [Horwich] |
| Full Idea: The common-sense notion that truth is a kind of 'correspondence with the facts' has never been worked out to anyone's satisfaction. | |
| From: Paul Horwich (Truth (2nd edn) [1990], Ch.1) | |
| A reaction: I've put this in to criticise it. Philosophy can't work by rejecting theories which can't be 'worked out', and accepting theories (like Tarski's) because they can be 'worked out'. All our theories will end up minimal, and defiant of common sense. |
| 6335 | The redundancy theory cannot explain inferences from 'what x said is true' and 'x said p', to p [Horwich] |
| Full Idea: The redundancy theory is unable to account for the inference from "Oscar's claim is true" and "Oscar's claim is that snow is white" to "the proposition 'that snow is white' is true", and hence to "snow is white". | |
| From: Paul Horwich (Truth (2nd edn) [1990], Ch.2.9) | |
| A reaction: Earlier objections appealed to the fact that the word 'true' seemed to have a use in ordinary speech, but this seems a much stronger one. In general, showing the role of a term in making inferences pins it down better than ordinary speech does. |
| 6344 | Truth is a useful concept for unarticulated propositions and generalisations about them [Horwich] |
| Full Idea: All uses of the truth predicate are explained by the hypothesis that its entire raison d'ętre is to help us say things about unarticulated propositions, and in particular to express generalisations about them. | |
| From: Paul Horwich (Truth (2nd edn) [1990], Concl) | |
| A reaction: This certain is a very deflationary notion of truth. Articulated propositions are considered to stand on their own two feet, without need of 'is true'. He makes truth sound like a language game, though. Personally I prefer to mention reality. |
| 6336 | No deflationary conception of truth does justice to the fact that we aim for truth [Horwich] |
| Full Idea: It has been suggested that no deflationary conception of truth could do justice to the fact that we aim for the truth. | |
| From: Paul Horwich (Truth (2nd edn) [1990], Ch.2.11) | |
| A reaction: (He mentions Dummett and Wright). People don't only aim for it - they become very idealistic about it, and sometimes die for it. Personally I think that any study of truth should use as its example police investigations, not philosophical analysis. |
| 23299 | Horwich's deflationary view is novel, because it relies on propositions rather than sentences [Horwich, by Davidson] |
| Full Idea: Horwich's brave and striking move is to make the primary bearers of truth propositions - not exactly a new idea in itself, but new in the context of a serious attempt to defend deflationism. | |
| From: report of Paul Horwich (Truth (2nd edn) [1990]) by Donald Davidson - The Folly of Trying to Define Truth p.30 | |
| A reaction: Davidson rejects propositions because they can't be individuated, but I totally accept propositions. I'm puzzled why this would produce a deflationist theory, since I think it points to a much more robust view. |
| 6337 | The deflationary picture says believing a theory true is a trivial step after believing the theory [Horwich] |
| Full Idea: According to the deflationary picture, believing that a theory is true is a trivial step beyond believing the theory. | |
| From: Paul Horwich (Truth (2nd edn) [1990], Ch.2.17) | |
| A reaction: What has gone wrong with this picture is that you cannot (it seems to me) give a decent account of belief without mentioning truth. To believe a proposition is to hold it true. Hume's emotional account (Idea 2208) makes belief bewildering. |
| 6339 | Logical form is the aspects of meaning that determine logical entailments [Horwich] |
| Full Idea: The logical forms of the sentences in a language are those aspects of their meanings that determine the relations of deductive entailment holding amongst them. | |
| From: Paul Horwich (Truth (2nd edn) [1990], Ch.6.30) | |
| A reaction: A helpful definition. Not all sentences, therefore, need to have a 'logical form'. Is the logical form the same as the underlying proposition. The two must converge, given that propositions lack the ambiguity that is often found in sentences. |
| 6338 | We could know the truth-conditions of a foreign sentence without knowing its meaning [Horwich] |
| Full Idea: Someone who does not understand German and is told 'Schnee ist weiss' is true if frozen H2O is white, does not understand the German sentence, even though he knows the truth-conditions. | |
| From: Paul Horwich (Truth (2nd edn) [1990], Ch.5.22 n1) | |
| A reaction: This sounds like a powerful objection to Davidson's well-known claim that meaning is truth-conditions. Horwich likes the idea that meaning is use, but I think a similar objection arises - you can use a sentence well without knowing its meaning. |
| 6340 | There are Fregean de dicto propositions, and Russellian de re propositions, or a mixture [Horwich] |
| Full Idea: There are pure, Fregean, abstract, de dicto propositions, in which a compositional structure is filled only with senses; there are pure, Russellian, concrete, de re propositions, which are filled with referents; and there are mixed propositions. | |
| From: Paul Horwich (Truth (2nd edn) [1990], Ch.6.31) | |
| A reaction: Once Frege has distinguished sense from reference, this distinction of propositions is likely to follow. The current debate over the internalist and externalist accounts of concepts seems to continue the debate. A mixed strategy sounds good. |
| 6341 | Right translation is a mapping of languages which preserves basic patterns of usage [Horwich] |
| Full Idea: The right translation between words of two languages is the mapping that preserves basic patterns of usage - where usage is characterised non-semantically, in terms of circumstances of application, assertibility conditions and inferential role. | |
| From: Paul Horwich (Truth (2nd edn) [1990], Ch.6.32) | |
| A reaction: It still strikes me that if you ask why a piece of language is used in a certain way, you find yourself facing something deeper about meaning than mere usage. Horwich cites Wittgenstein and Quine in his support. Could a machine pass his test? |
| 12157 | Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton] |
| Full Idea: Kant gave form and status to aesthetics, and Hegel endowed it with content. | |
| From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Roger Scruton - Recent Aesthetics in England and America p.3 |
| 20346 | The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim] |
| Full Idea: The aesthetic attitude is defined by Kant in terms of disinterestedness. | |
| From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Richard Wollheim - Art and Its Objects 54 | |
| A reaction: This is presumably, mainly, to explain our enjoyment of the miseries of tragedy. We just give ourselves up to a merry jig by Haydn. |
| 18547 | Only rational beings can experience beauty [Kant, by Scruton] |
| Full Idea: Kant is surely right that the experience of beauty, like the judgements in which it issues, is the prerogative of rational beings. | |
| From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Roger Scruton - Beauty: a very short introduction 1 | |
| A reaction: I'm not sure how Scruton can say that Kant is 'surely right'. It is an interesting speculation. Are we to dogmatically affirm that bees get no aesthetic thrill when they spot a promising flower? Something in their little brains attracts them. |
| 24172 | It is hard to see why we would have developed Kant's 'disinterested' aesthetic attitude [Cochrane on Kant] |
| Full Idea: The Kantian notion of disinterest isolated aesthetic value from the rest of our lives. It is hard to understand why we should have developed a tendency that is detached from our everyday practical purposes. | |
| From: comment on Immanuel Kant (Critique of Judgement I: Aesthetic [1790], §2) by Tom Cochrane - The Aesthetic Value of the World 1.4 | |
| A reaction: Cochrane always seeks an evolutionary framework for accounts of aesthetics, and I agree with him. That doesn't devalue them. The best things in life, like piano music, are obviously offshoots of things which evolved for other reasons. |
| 20408 | With respect to the senses, taste is an entirely personal matter [Kant] |
| Full Idea: With regard to the agreeable, the principle Everyone has his own taste (of the senses) is valid. | |
| From: Immanuel Kant (Critique of Judgement I: Aesthetic [1790], CUP 7 5:212), quoted by Elizabeth Schellekens - Immanuel Kant (aesthetics) 1 | |
| A reaction: This is a preliminary concession, and he goes on to defend more objective views of taste. |
| 20409 | When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant] |
| Full Idea: It is ridiculous if someone justifies his tast by saying 'this object is beautiful for me'. . .If he pronounces that something is beautiful, then he expects the very same satisfaction of others: he judges not merely for himself, but for everyone. | |
| From: Immanuel Kant (Critique of Judgement I: Aesthetic [1790], CUP 7 5:213), quoted by Elizabeth Schellekens - Immanuel Kant (aesthetics) 1 | |
| A reaction: For Kant this would also be the hallmark of rationality - that we expect, or hope for, a consensus when we express a rational judgement. But this expectation is far less in cases of beauty. We do not expect total agreement from very tasteful people. |
| 20411 | Saying everyone has their own taste destroys the very idea of taste [Kant] |
| Full Idea: To say thast 'Everyone has his special taste' would be to dismiss the very possibility of aesthetic taste, and to deny that there could be aesthetic judgement 'that could make a rightful claim to the assent of everyone'. | |
| From: Immanuel Kant (Critique of Judgement I: Aesthetic [1790], CUP 7 5:213), quoted by Elizabeth Schellekens - Immanuel Kant (aesthetics) 2.2 | |
| A reaction: I am a great believer in the objectivity of taste (within sensible reason). But the great evidence against it is the shifting standards of taste over the centuries. Nineteenth century collectors wasted fortunes on inferior works, it seems to us. |
| 24170 | Kant thinks beauty ignores its objects, because it is only 'form' engaging with mind [Cochrane on Kant] |
| Full Idea: Kant thinks that the ideal of beauty requires no concept of what the object is. Universality demands that appreciation be purely a matter of the way the form of the object fits one's cognitive machinery. | |
| From: comment on Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Tom Cochrane - The Aesthetic Value of the World 1.3 | |
| A reaction: This confirms further my increasingly negative view of Kant. Everything in him points to idealism (despite denials by his fans), and via Hegel we arrive at the idea that our values are all 'cultural constructs', rather than responses to reality. |
| 22711 | The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch] |
| Full Idea: Kant insists that the beautiful must not be tainted with the good (that is, not conceptualised in any way which would bring it into the sphere of moral judgement) yet he says that the beautiful symbolises the good, it is an analogy of the good. | |
| From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Iris Murdoch - The Sublime and the Good p.209 | |
| A reaction: Kant evidently wanted a very pure view of the aesthetic experience, drained of any overlapping feelings or beliefs. I'm not sure I understand how the beautiful can symbolise or be analogous to the good, while being devoid of it. |
| 4025 | Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C] |
| Full Idea: Kant, in his third critique, defined beauty in terms of a certain kind of disinterested pleasure;….this is the basis for a declaration of independence of the beautiful relative to the good. | |
| From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Charles Taylor - Sources of the Self §23.1 | |
| A reaction: This is a rebellion against the Greeks, especially Plato, and prepares the ground for the idea of 'art for art's sake'. Personally, I'm with Plato. |
| 20412 | Beauty is only judged in pure contemplation, and not with something else at stake [Kant] |
| Full Idea: If the question is whether something is beautiful, one does not want to know whether there is something that is or that could be at stake, for us or for someone else, in the existence of the thing, but rather how we judge it in mere contemplation. | |
| From: Immanuel Kant (Critique of Judgement I: Aesthetic [1790], CUP 2 5:204), quoted by Elizabeth Schellekens - Immanuel Kant (aesthetics) 2.3 | |
| A reaction: This evidently denies that function has anything to do with beauty, and seems to be a prelude to 'art for art's sake'. But a running cheetah cannot be separated from the sheer efficiencey and focus of the performance. |
| 22046 | The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard] |
| Full Idea: Kant distinguished the 'mathematical' and 'dynamical' sublime. The former involves immeasurable greatness (or smallness) such that we cannot even present them to ourselves. The latter is of something large and overpowering, which we can morally resist. | |
| From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Terry Pinkard - German Philosophy 1760-1860 13 | |
| A reaction: Presumably Cantor revealed the full extent of the mathematical sublime ('heaven', according to Hilbert). We await the comet that destroys the Earth to fully experience the other one. |
| 21458 | The sublime is a moral experience [Kant, by Gardner] |
| Full Idea: The sublime is understood by Kant as a moral experience. | |
| From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790], 28-9) by Sebastian Gardner - Kant and the Critique of Pure Reason 09 'Judgment' | |
| A reaction: Gardner give the source in Kant. I can't accept that the initial experience of the sublime is moral in character. It could easily acquire a moral character after contemplation by someone who had such inclinations. |
| 5643 | Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton] |
| Full Idea: The 'Critique of Judgement' argues, then, not for the objective validity of aesthetic values, but for the fact that we must think of them as objectively valid. | |
| From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Roger Scruton - Short History of Modern Philosophy §11.7 | |
| A reaction: The trouble with these transcendental arguments of Kant is that they render you powerless to discuss the question of whether values are actually objective. We are all trapped in presuppositions, instead of testing suppositions. |
| 20410 | The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant] |
| Full Idea: In order to understand whether or not something is beautiful, we do not relate the representation by means of understanding to the object for cognition, but relate it by means of the imagination ..to the subject and its feeling of pleasure or displeasure. | |
| From: Immanuel Kant (Critique of Judgement I: Aesthetic [1790], CUP 1 5:203), quoted by Elizabeth Schellekens - Immanuel Kant (aesthetics) 2.1 | |
| A reaction: This is to distinguish the particular type of judgement which counts as 'aesthetic' - the point being that it is not cognitive - it is not a matter of knowledge and facts, but a cool judgement made about a warm feeling of pleasure. I think. |
| 541 | Virtue comes more from habit than character [Critias] |
| Full Idea: More men are good through habit than through character. | |
| From: Critias (fragments/reports [c.440 BCE], B09), quoted by John Stobaeus - Anthology 3.29.41 |
| 542 | Fear of the gods was invented to discourage secret sin [Critias] |
| Full Idea: When the laws forbade men to commit open crimes of violence, and they began to do them in secret, a wise and clever man invented fear of the gods for mortals, to frighten the wicked, even if they sin in secret. | |
| From: Critias (fragments/reports [c.440 BCE], B25), quoted by Sextus Empiricus - Against the Professors (six books) 9.54 |