10 ideas
| 15970 | People generalise because it is easier to understand, and that is mistaken for deep philosophy [Feynman] |
| Full Idea: The topic of the laws of nature has a tendency to become too philosophical because it becomes too general, and a person talks in such generalities, that everybody can understand him. It is then considered to be some deep philosophy. | |
| From: Richard P. Feynman (The Character of Physical Law [1965], 1) | |
| A reaction: Feynman was famously anti-philosophical, but this is a good challenge. I like philosophy because I want to know broad general truths about my world, but I may just be gravitating towards what is easier. The challenge is to get true generalities. |
| 8108 | Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner] |
| Full Idea: Aesthetics traditionally has two presuppositions: the first is that there is a distinctive form of experience which is common to the appreciation of art and natural beauty; the second is that art has an essence or some sort of underlying unity. | |
| From: Sebastian Gardner (Aesthetics [1995], Intro) | |
| A reaction: Both must come up for discussion. I think the biggest problem for the first one is the place of sexual attraction, or even fancying a prawn sandwich. The second has been weakened by Marcel Duchamp's urinal, and modern fringe arts. |
| 8112 | Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner] |
| Full Idea: A strong tradition in aesthetics (the 'idealist' view) regards works of art as existing originally in the artist's mind, and the appreciation of art as a matter of re-creating the artist's mental object. | |
| From: Sebastian Gardner (Aesthetics [1995], 2.2) | |
| A reaction: He mentions Collingwood and Croce. Against this is the view (Idea 7268) that what goes on in the artist's mind is just irrelevant. Freud is important here, suggesting that the artist doesn't quite know what he or she is doing. |
| 8111 | Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner] |
| Full Idea: The aesthetic objectivist faces the difficulty of accounting for the fact that pleasure is not in the object, and is necessary for, and not just a contingent accompaniment to, aesthetic response. | |
| From: Sebastian Gardner (Aesthetics [1995], 1.2.3) | |
| A reaction: The objectivist has to claim, not utterly implausibly, that if you don't get pleasure from certain works, then you 'ought' to. You can ignore a good work, but to deny that it gives pleasure is a failing in you. |
| 8109 | Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner] |
| Full Idea: I am not within my rights to declare an object beautiful until I have seen it myself, ..unlike moral judgement, which (arguably) does not presuppose either a felt response or personal acquaintance. | |
| From: Sebastian Gardner (Aesthetics [1995], 1.1) | |
| A reaction: Particularists might argue that moral judgements also require exposure to the actual situation, if they are to be authentic and authoritative. We can also discuss principles of aesthetics in the absence of examples. |
| 541 | Virtue comes more from habit than character [Critias] |
| Full Idea: More men are good through habit than through character. | |
| From: Critias (fragments/reports [c.440 BCE], B09), quoted by John Stobaeus - Anthology 3.29.41 |
| 9410 | Physical Laws are rhythms and patterns in nature, revealed by analysis [Feynman] |
| Full Idea: There is a rhythm and a pattern between the phenomena of nature which is not apparent to the eye, but only to the eye of analysis; and it is these rhythms and patterns which we call Physical Laws. | |
| From: Richard P. Feynman (The Character of Physical Law [1965], Ch.1) |
| 18530 | Nobody understands quantum mechanics [Feynman] |
| Full Idea: I think I can safely say the nobody understands quantum mechanics. | |
| From: Richard P. Feynman (The Character of Physical Law [1965], 6) | |
| A reaction: It is really important that philosophers grasp this point! |
| 17707 | We should regard space as made up of many tiny pieces [Feynman, by Mares] |
| Full Idea: Feynman claims that we should regard space as made up of many tiny pieces, which have positive length, width and depth. | |
| From: report of Richard P. Feynman (The Character of Physical Law [1965], p.166) by Edwin D. Mares - A Priori 06.7 | |
| A reaction: The idea seems to be these are the minimum bits of space in which something can happen. |
| 542 | Fear of the gods was invented to discourage secret sin [Critias] |
| Full Idea: When the laws forbade men to commit open crimes of violence, and they began to do them in secret, a wise and clever man invented fear of the gods for mortals, to frighten the wicked, even if they sin in secret. | |
| From: Critias (fragments/reports [c.440 BCE], B25), quoted by Sextus Empiricus - Against the Professors (six books) 9.54 |