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All the ideas for 'fragments/reports', 'After Virtue: a Study in Moral Theory' and 'Critique of Judgement I: Aesthetic'

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43 ideas

1. Philosophy / B. History of Ideas / 5. Later European Thought
In the 17th-18th centuries morality offered a cure for egoism, through altruism [MacIntyre]
     Full Idea: It was in the seventeenth and eighteenth century that morality came generally to be understood as offering a solution to the problems posed by human egoism and that the content of morality came to be largely equated with altruism.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch.16)
     A reaction: It was the elevation of altruism that caused Nietzsche's rebellion. The sixteenth century certainly looks striking cynical to modern eyes. The development was an attempt to secularise Jesus. Altruism has a paradox: it needs victims.
1. Philosophy / B. History of Ideas / 6. Twentieth Century Thought
Twentieth century social life is re-enacting eighteenth century philosophy [MacIntyre]
     Full Idea: Twentieth century social life turns out in key part to be the concrete and dramatic re-enactment of eighteenth-century philosophy.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch. 8)
     A reaction: This suggest a two hundred year lag between the philosophy and its impact on the culture. One might note the Victorian insistence on 'duty' (e.g. in George Eliot), alongside Mill's view that the Kantian account of it didn't work (Idea 3768).
1. Philosophy / D. Nature of Philosophy / 7. Despair over Philosophy
Philosophy has been marginalised by its failure in the Enlightenment to replace religion [MacIntyre]
     Full Idea: The failure, in the Enlightenment, of philosophy to provide what religion could no longer furnish was an important cause of philosophy losing its central cultural role and becoming a marginal, narrowly academic subject.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch. 4)
     A reaction: A strange way of presenting the situation. Philosophy has never aspired to furnish beliefs for the masses. Plato offered them myths. The refutation of religion was difficult and complex. There is no returning from there to a new folk simplicity.
2. Reason / A. Nature of Reason / 9. Limits of Reason
Proof is a barren idea in philosophy, and the best philosophy never involves proof [MacIntyre]
     Full Idea: Arguments in philosophy rarely take the form of proofs; and the most successful arguments on topics central to philosophy never do. (The ideal of proof is a relatively barren one in philosophy).
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch.18)
     A reaction: He seems proud of this, but he must settle for something which is less than proof, which has to be vindicated to the mathematicians and scientists. I agree, though. Plato is the model, and the best philosophy builds a broad persuasive picture.
12. Knowledge Sources / D. Empiricism / 5. Empiricism Critique
To find empiricism and science in the same culture is surprising, as they are really incompatible [MacIntyre]
     Full Idea: There is something extraordinary in the coexistence of empiricism and natural science in the same culture, for they represent radically different and incompatible ways of approaching the world.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch. 7)
     A reaction: I would say that science is commitment to an ontology, and empiricism is a commitment to epistemology. It is a very nice point, given the usual assumption that science is an empirical activity. See Idea 7621. Strict empiricism distorts science.
14. Science / A. Basis of Science / 4. Prediction
Unpredictability doesn't entail inexplicability, and predictability doesn't entail explicability [MacIntyre]
     Full Idea: Just as unpredictability does not entail inexplicability, so predictability does not entail explicability.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch. 8)
     A reaction: The second half is not quite as obvious as the first. The location of lightning strikes is an example of the first. He gives examples of the second, but they all seem to be very complex cases which might be explained, if only we knew enough.
14. Science / B. Scientific Theories / 1. Scientific Theory
Social sciences discover no law-like generalisations, and tend to ignore counterexamples [MacIntyre]
     Full Idea: Social sciences have discovered no law-like generalisations whatsoever, ...and for the most part they adopt a very tolerant attitude to counter-examples.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch. 8)
     A reaction: I suspect that this is as much to do with a narrow and rigid view of what 'science' is supposed to be, as a failure of the social sciences. Have such sciences explained anything? I suspect that they have explained a lot, often after the facts.
16. Persons / E. Rejecting the Self / 3. Narrative Self
I can only make decisions if I see myself as part of a story [MacIntyre]
     Full Idea: I can only answer the question 'What am I to do?' if I can answer the prior question 'Of what story or stories do I find myself a part?'.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], p.201), quoted by Michael J. Sandel - Justice: What's the right thing to do? 09
     A reaction: MacIntyre is a great champion of the narrative view of the Self. Does this mean that if you had total amnesia, but retained other faculties, you could make no decisions? Can you start a new story whenever you like?
18. Thought / B. Mechanics of Thought / 6. Artificial Thought / a. Artificial Intelligence
AI can't predict innovation, or consequences, or external relations, or external events [MacIntyre]
     Full Idea: AI machines have four types of unpredictability: they can't predict radical innovation or future maths proofs; they couldn't predict the outcome of their own decisions; their relations with other computers would be a game-theory tangle; and power failure.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch. 8)
     A reaction: This isn't an assertion that they lack 'free will', just a very accurate observation of how the super new machines would face exactly the same problems that we ourselves face.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton]
     Full Idea: Kant gave form and status to aesthetics, and Hegel endowed it with content.
     From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Roger Scruton - Recent Aesthetics in England and America p.3
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim]
     Full Idea: The aesthetic attitude is defined by Kant in terms of disinterestedness.
     From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Richard Wollheim - Art and Its Objects 54
     A reaction: This is presumably, mainly, to explain our enjoyment of the miseries of tragedy. We just give ourselves up to a merry jig by Haydn.
Only rational beings can experience beauty [Kant, by Scruton]
     Full Idea: Kant is surely right that the experience of beauty, like the judgements in which it issues, is the prerogative of rational beings.
     From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Roger Scruton - Beauty: a very short introduction 1
     A reaction: I'm not sure how Scruton can say that Kant is 'surely right'. It is an interesting speculation. Are we to dogmatically affirm that bees get no aesthetic thrill when they spot a promising flower? Something in their little brains attracts them.
It is hard to see why we would have developed Kant's 'disinterested' aesthetic attitude [Cochrane on Kant]
     Full Idea: The Kantian notion of disinterest isolated aesthetic value from the rest of our lives. It is hard to understand why we should have developed a tendency that is detached from our everyday practical purposes.
     From: comment on Immanuel Kant (Critique of Judgement I: Aesthetic [1790], §2) by Tom Cochrane - The Aesthetic Value of the World 1.4
     A reaction: Cochrane always seeks an evolutionary framework for accounts of aesthetics, and I agree with him. That doesn't devalue them. The best things in life, like piano music, are obviously offshoots of things which evolved for other reasons.
21. Aesthetics / A. Aesthetic Experience / 3. Taste
With respect to the senses, taste is an entirely personal matter [Kant]
     Full Idea: With regard to the agreeable, the principle Everyone has his own taste (of the senses) is valid.
     From: Immanuel Kant (Critique of Judgement I: Aesthetic [1790], CUP 7 5:212), quoted by Elizabeth Schellekens - Immanuel Kant (aesthetics) 1
     A reaction: This is a preliminary concession, and he goes on to defend more objective views of taste.
When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant]
     Full Idea: It is ridiculous if someone justifies his tast by saying 'this object is beautiful for me'. . .If he pronounces that something is beautiful, then he expects the very same satisfaction of others: he judges not merely for himself, but for everyone.
     From: Immanuel Kant (Critique of Judgement I: Aesthetic [1790], CUP 7 5:213), quoted by Elizabeth Schellekens - Immanuel Kant (aesthetics) 1
     A reaction: For Kant this would also be the hallmark of rationality - that we expect, or hope for, a consensus when we express a rational judgement. But this expectation is far less in cases of beauty. We do not expect total agreement from very tasteful people.
Saying everyone has their own taste destroys the very idea of taste [Kant]
     Full Idea: To say thast 'Everyone has his special taste' would be to dismiss the very possibility of aesthetic taste, and to deny that there could be aesthetic judgement 'that could make a rightful claim to the assent of everyone'.
     From: Immanuel Kant (Critique of Judgement I: Aesthetic [1790], CUP 7 5:213), quoted by Elizabeth Schellekens - Immanuel Kant (aesthetics) 2.2
     A reaction: I am a great believer in the objectivity of taste (within sensible reason). But the great evidence against it is the shifting standards of taste over the centuries. Nineteenth century collectors wasted fortunes on inferior works, it seems to us.
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
Kant thinks beauty ignores its objects, because it is only 'form' engaging with mind [Cochrane on Kant]
     Full Idea: Kant thinks that the ideal of beauty requires no concept of what the object is. Universality demands that appreciation be purely a matter of the way the form of the object fits one's cognitive machinery.
     From: comment on Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Tom Cochrane - The Aesthetic Value of the World 1.3
     A reaction: This confirms further my increasingly negative view of Kant. Everything in him points to idealism (despite denials by his fans), and via Hegel we arrive at the idea that our values are all 'cultural constructs', rather than responses to reality.
The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch]
     Full Idea: Kant insists that the beautiful must not be tainted with the good (that is, not conceptualised in any way which would bring it into the sphere of moral judgement) yet he says that the beautiful symbolises the good, it is an analogy of the good.
     From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Iris Murdoch - The Sublime and the Good p.209
     A reaction: Kant evidently wanted a very pure view of the aesthetic experience, drained of any overlapping feelings or beliefs. I'm not sure I understand how the beautiful can symbolise or be analogous to the good, while being devoid of it.
Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C]
     Full Idea: Kant, in his third critique, defined beauty in terms of a certain kind of disinterested pleasure;….this is the basis for a declaration of independence of the beautiful relative to the good.
     From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Charles Taylor - Sources of the Self §23.1
     A reaction: This is a rebellion against the Greeks, especially Plato, and prepares the ground for the idea of 'art for art's sake'. Personally, I'm with Plato.
Beauty is only judged in pure contemplation, and not with something else at stake [Kant]
     Full Idea: If the question is whether something is beautiful, one does not want to know whether there is something that is or that could be at stake, for us or for someone else, in the existence of the thing, but rather how we judge it in mere contemplation.
     From: Immanuel Kant (Critique of Judgement I: Aesthetic [1790], CUP 2 5:204), quoted by Elizabeth Schellekens - Immanuel Kant (aesthetics) 2.3
     A reaction: This evidently denies that function has anything to do with beauty, and seems to be a prelude to 'art for art's sake'. But a running cheetah cannot be separated from the sheer efficiencey and focus of the performance.
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard]
     Full Idea: Kant distinguished the 'mathematical' and 'dynamical' sublime. The former involves immeasurable greatness (or smallness) such that we cannot even present them to ourselves. The latter is of something large and overpowering, which we can morally resist.
     From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Terry Pinkard - German Philosophy 1760-1860 13
     A reaction: Presumably Cantor revealed the full extent of the mathematical sublime ('heaven', according to Hilbert). We await the comet that destroys the Earth to fully experience the other one.
The sublime is a moral experience [Kant, by Gardner]
     Full Idea: The sublime is understood by Kant as a moral experience.
     From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790], 28-9) by Sebastian Gardner - Kant and the Critique of Pure Reason 09 'Judgment'
     A reaction: Gardner give the source in Kant. I can't accept that the initial experience of the sublime is moral in character. It could easily acquire a moral character after contemplation by someone who had such inclinations.
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton]
     Full Idea: The 'Critique of Judgement' argues, then, not for the objective validity of aesthetic values, but for the fact that we must think of them as objectively valid.
     From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Roger Scruton - Short History of Modern Philosophy §11.7
     A reaction: The trouble with these transcendental arguments of Kant is that they render you powerless to discuss the question of whether values are actually objective. We are all trapped in presuppositions, instead of testing suppositions.
The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant]
     Full Idea: In order to understand whether or not something is beautiful, we do not relate the representation by means of understanding to the object for cognition, but relate it by means of the imagination ..to the subject and its feeling of pleasure or displeasure.
     From: Immanuel Kant (Critique of Judgement I: Aesthetic [1790], CUP 1 5:203), quoted by Elizabeth Schellekens - Immanuel Kant (aesthetics) 2.1
     A reaction: This is to distinguish the particular type of judgement which counts as 'aesthetic' - the point being that it is not cognitive - it is not a matter of knowledge and facts, but a cool judgement made about a warm feeling of pleasure. I think.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Musical performance can reveal a range of virtues [Damon of Ath.]
     Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice.
     From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where?
22. Metaethics / A. Ethics Foundations / 1. Nature of Ethics / c. Purpose of ethics
The good life for man is the life spent seeking the good life for man [MacIntyre]
     Full Idea: The good life for man is the life spent in seeking for the good life for man.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch.15)
     A reaction: This contains a self-evident paradox - that success would be failure. The proposal suits philosophers more than it would suit the folk. Less seeking and more getting on with it seems good, if the activity is a 'flourishing' one.
22. Metaethics / A. Ethics Foundations / 1. Nature of Ethics / d. Ethical theory
We still have the appearance and language of morality, but we no longer understand it [MacIntyre]
     Full Idea: We possess simulacra of morality, we continue to use many of the key expressions. But we have - very largely, if not entirely - lost our comprehension, both theoretical and practical, of morality.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch. 1)
     A reaction: MacIntyre's famous (or notorious) assault on modern ethics. We obviously can't prove him wrong by spouting moral talk. Are we actually more wicked than our ancestors? There is, I think, a relativism problem in the 20th centurty, but that is different.
Unlike expressions of personal preference, evaluative expressions do not depend on context [MacIntyre]
     Full Idea: There are good reasons for distinguishing between expressions of personal preference and evaluative expressions, as the first depend on who utters them to whom, while the second are not dependent for reason-giving force on the context of utterance.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch. 2)
     A reaction: The sceptics will simply say that in the second type of expression the speaker tries to adopt a tone of impersonal authority, but it is merely an unjustified attempt to elevate personal preferences. "Blue just IS the best colour".
Moral judgements now are anachronisms from a theistic age [MacIntyre]
     Full Idea: Moral judgements are linguistic survivals from the practices of classical theism which have lost the context provided by these practices.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch. 5)
     A reaction: He is sort of right. Richard Taylor is less dramatic and more plausible on this (Ideas 5065, 5066, 5077). Big claims about 'duty' have become rather hollow, but the rights and wrongs of (e.g.) mistreating children don't seem to need theism.
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / b. Rational ethics
The failure of Enlightenment attempts to justify morality will explain our own culture [MacIntyre]
     Full Idea: A central thesis of this book is that the breakdown of the project (of 1630 to 1850) of an independent rational justification of morality provided the historical background against which the predicaments of our own culture can become intelligible.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch. 4)
     A reaction: Possibly the most important question of our times is whether the Enlightenment failed. MacIntyre's claim is followed by an appeal for a return to Aristotelian/Thomist virtues. Continentals seem to have responded by sliding into relativism.
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / c. Ethical intuitionism
Mention of 'intuition' in morality means something has gone wrong with the argument [MacIntyre]
     Full Idea: The introduction of the word 'intuition' by a moral philosopher is always a signal that something has gone badly wrong with an argument.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch. 6)
     A reaction: For the alternative view, see Kripke (Idea 4948). If Kripke is right about logic, I don't see why the same view should have some force in morality. At the bottom of all morality is an intuition that life is worth the struggle. How do you prove that?
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / e. Human nature
When 'man' is thought of individually, apart from all roles, it ceases to be a functional concept [MacIntyre]
     Full Idea: It is only when man is thought of as an individual prior to and apart from all roles that 'man' ceases to be a functional concept.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch. 5)
     A reaction: This is the one key idea at the heart of the revival of virtue ethics in modern times. It pinpoints what may be the single biggest disaster in intellectual history - the isolation of the individual. Yet it led to freedom, rights, and lots of good things.
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / h. Expressivism
In trying to explain the type of approval involved, emotivists are either silent, or viciously circular [MacIntyre]
     Full Idea: In reply to the question of what kinds of approval are expressed by the feelings or attitudes of moral judgments, every version of emotivism either remains silent, or becomes viciously circular by identifying it as moral approval.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch. 2)
     A reaction: There seems to be an underlying assumption that moral judgements are sharply separated from other judgements, of which I am not convinced. I approve of creating a beautiful mural for an old folks home free of charge, but it must be beautiful.
The expression of feeling in a sentence is in its use, not in its meaning [MacIntyre]
     Full Idea: Expression of feeling is not a function of the meaning of sentences, but of their use, as when a teacher shouts at a pupil "7 x 7 = 49!", where the expression of feeling or attitude has nothing whatsoever to do with its meaning.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch. 2)
     A reaction: This point is what underlies the Frege-Geach problem for emotivism, and is a very telling point. Apart from in metaethics, no one has ever put forward a theory of meaning that says it is just emotion. ...Unless it concerns speakers' intentions?
Emotivism cannot explain the logical terms in moral discourse ('therefore', 'if..then') [MacIntyre]
     Full Idea: Analytical moral philosophers resist emotivism because moral reasoning does occur, but there can be logical linkages between various moral judgements of a kind that emotivism could not allow for ('therefore' and 'if...then' express no moral feelings).
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch. 2)
     A reaction: This is the 'Frege-Geach Problem', nicely expressed, and is the key reason why emotivism seems unacceptable - it is a theory about language, but it just doesn't explain moral discourse sufficiently.
Nowadays most people are emotivists, and it is embodied in our culture [MacIntyre]
     Full Idea: To a large degree people now think, talk and act as if emotivism was true, no matter what their avowed theoretical standpoint may be. Emotivism has become embodied in our culture.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch. 2)
     A reaction: I suspect that it is moderately educated people who have swallowed emotivism, in the same way that they have swallowed relativism; it provides an excuse for neglectly the pursuit of beauty, goodness and truth, in favour of pleasure.
23. Ethics / C. Virtue Theory / 1. Virtue Theory / a. Nature of virtue
Maybe we can only understand rules if we first understand the virtues [MacIntyre]
     Full Idea: Maybe we need to attend to the virtues first in the first place in order to understand the function and authority of rules.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch. 9)
     A reaction: I think MacIntyre's project is exactly right. Morality is about how humans should live their lives. A bunch of robots could implement a set of moral rules, or make contracts, or maximise one another's benefits. The idea of a human community comes first.
23. Ethics / C. Virtue Theory / 1. Virtue Theory / d. Virtue theory critique
Virtue is secondary to a role-figure, defined within a culture [MacIntyre, by Statman]
     Full Idea: MacIntyre argues that the concept of virtue is secondary to that of a role-figure, where the latter is always defined by some particular tradition and culture.
     From: report of Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981]) by Daniel Statman - Introduction to Virtue Ethics §3
     A reaction: MacIntyre is much more of a relativist than Aristotle. There must be some attempt to deal with the problem of a rotten culture which throws up a corrupt role-model. We need a concept of a good culture and of individual flourishing.
23. Ethics / C. Virtue Theory / 2. Elements of Virtue Theory / e. Character
Characters are the masks worn by moral philosophies [MacIntyre]
     Full Idea: Characters are the masks worn by moral philosophies.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch. 3)
     A reaction: This may be presenting character in an excessively moral way. Being lively, for example, is a very distinctive trait of character, but hardly moral. This tells us why philosophers are interested in character, but not why other people are.
23. Ethics / C. Virtue Theory / 2. Elements of Virtue Theory / h. Right feelings
If morality just is emotion, there are no external criteria for judging emotions [MacIntyre]
     Full Idea: If there is nothing to judgements of virtue and vice except the expression of feelings of approval and disapproval, there can be no criteria external to those feelings by appeal to which we may pass judgement upon them.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch.16)
     A reaction: The idea that there can be right and wrong feelings may be the key idea in virtue theory. See Idea 5217. A good person would be ashamed to have a bad feeling. Some emotional responses are intrinsically wicked, apart from actions.
23. Ethics / E. Utilitarianism / 1. Utilitarianism
Since Moore thinks the right action produces the most good, he is a utilitarian [MacIntyre]
     Full Idea: Moore takes it that to call an action right is simply to say that of the available alternative actions it is the one which does or did as a matter of fact produce the most good. Moore is thus a utilitarian.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch. 2)
     A reaction: Far be it from me to disagree with MacIntyre on this, but I would have thought that this made him a consequentialist, rather than a utilitarian. Moore doesn't remotely think that pure pleasure or happiness is the good. He's closer to Rashdall (Idea 6673).
24. Political Theory / A. Basis of a State / 3. Natural Values / c. Natural rights
There are no natural or human rights, and belief in them is nonsense [MacIntyre]
     Full Idea: There are no natural or human rights, and belief in them is one with belief in witches and in unicorns.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch. 6)
     A reaction: His point is that the notion of 'rights' only arises out of a community. However, while you might criticise an individual for absurdly asserting all sorts of dubious rights, no one could criticise them if they asserted the right to defend their own life.
28. God / A. Divine Nature / 4. Divine Contradictions
If God is omniscient, he confronts no as yet unmade decisions, so decisions are impossible [MacIntyre]
     Full Idea: Omniscience excludes the making of decisions. If God knows everything that will occur, he confronts no as yet unmade decisions.
     From: Alasdair MacIntyre (After Virtue: a Study in Moral Theory [1981], Ch. 8)
     A reaction: [He cites Aquinas on this] I find it very difficult to see how anyone could read the Bible (see Idea 8008) while keeping this point continually in mind, without seeing the whole book as a piece of blatant anthropomorphism.