Combining Texts

All the ideas for 'fragments/reports', 'Process and Reality' and 'An Ontology of Art'

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7 ideas

1. Philosophy / C. History of Philosophy / 2. Ancient Philosophy / c. Classical philosophy
European philosophy consists of a series of footnotes to Plato [Whitehead]
     Full Idea: The safest general characterization of the European philosophical tradition is that it consists of a series of footnotes to Plato.
     From: Alfred North Whitehead (Process and Reality [1929], p.39)
     A reaction: Outsiders think this is a ridiculous remark, but readers of Plato can only be struck by what a wonderful tribute Whitehead has come up with. I would say that at least 80% of this database deals with problems which were discussed at length by Plato.
5. Theory of Logic / G. Quantification / 2. Domain of Quantification
With 'extensive connection', boundary elements are not included in domains [Whitehead, by Varzi]
     Full Idea: In Whitehead's theory of extensive connection, no boundary elements are included in the domain of quantification. ...His conception of space contains no parts of lower dimensions, such as points or boundary elements.
     From: report of Alfred North Whitehead (Process and Reality [1929]) by Achille Varzi - Mereology 3.1
     A reaction: [Varzi says we should see B.L.Clarke 1981 for a rigorous formulation. Second half of the Idea is Varzi p.21]
7. Existence / B. Change in Existence / 2. Processes
In Whitehead 'processes' consist of events beginning and ending [Whitehead, by Simons]
     Full Idea: There are no items in Whitehead's ontology called 'processes'. Rather, the term 'process' refers to the way in which the basic things - which are still events - come into existence and cease to exist. Whitehead called this 'becoming'.
     From: report of Alfred North Whitehead (Process and Reality [1929]) by Peter Simons - Whitehead: process and cosmology 'The mature'
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
If paintings could be perfectly duplicated, it would be a multiple art form [Currie, by Bacharach]
     Full Idea: Currie claims that, in principle, all art forms are multiple. A superxerox machine, duplicating a painting molecule by molecule, would show that paintings are singular only contingently.
     From: report of Gregory Currie (An Ontology of Art [1988]) by Sondra Bacharach - Arthur C. Danto 3
     A reaction: This strikes me as correct. An original painting would then have the same status as the manuscript of a poem, giving it an authority, and being moving by its personal contact with the artist. But worth far less than current original paintings.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Musical performance can reveal a range of virtues [Damon of Ath.]
     Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice.
     From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where?
26. Natural Theory / C. Causation / 1. Causation
Whitehead held that perception was a necessary feature of all causation [Whitehead, by Harré/Madden]
     Full Idea: On Whitehead's view, not only is a volitional sense of 'causal power' projected on to physical events, but 'perception in the causal mode' is literally ascribed to them.
     From: report of Alfred North Whitehead (Process and Reality [1929]) by Harré,R./Madden,E.H. - Causal Powers 3.II
     A reaction: This seems to be a close relative of Leibniz's monads. 'Perception' is a daft word for it, but in some way everything is 'responsive' to the things adjacent to it.
27. Natural Reality / C. Space / 3. Points in Space
Whitehead replaced points with extended regions [Whitehead, by Quine]
     Full Idea: Whitehead tried to avoid points, and make do with extended regions and sets of regions.
     From: report of Alfred North Whitehead (Process and Reality [1929]) by Willard Quine - Existence and Quantification p.93