3 ideas
| 3460 | Superactors and superspartans count against behaviourism [Putnam, by Searle] |
| Full Idea: Putnam proposed the superactor/superspartan objection to behaviourism. | |
| From: report of Hilary Putnam (Brains and Behaviour [1963]) by John Searle - The Rediscovery of the Mind Ch. 2.II | |
| A reaction: This is a beautiful compression of the obvious counterexamples, which are behaviour-wth-no-experience, and experience-with-no-behaviour. Presumably, though, Spartans are disposed to go 'aagh!' when they get home, and there are no 'super' actors. |
| 20328 | A thing is only seen as art in an 'artworld', which has a theory and a history [Danto] |
| Full Idea: To see something as art requires something the eye cannot descry - an atmosphere of artistic theory, a knowledge of the history of art: an artworld. | |
| From: Arthur C. Danto (The Artworld [1964], II) | |
| A reaction: The editors of the volume call this a revolutionary remark, followed up by Danto and George Dickie with a social and institutional account of art. Danto's key example is Warhol's Brillo pads - art in a gallery, cleaning material in a shop. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |