6 ideas
| 24069 | Much metaphysical debate concerns what is fundamental, rather than what exists [Koslicki] |
| Full Idea: Some of the most important debates in metaphysics or ontology do not concern existential questions, but focus on questions of fundamentality. | |
| From: Kathrin Koslicki (Form, Matter and Substance [2018], 5 Intro) | |
| A reaction: In modern times we have added the structure of existence to the mere ontological catalogue, and this idea makes another important addition to our concept of metaphysics. She gives disagreement over tropes as an example. |
| 24065 | Structured wholes are united by the teamwork needed for their capacities [Koslicki] |
| Full Idea: A structured whole derives its unity from the way in which its parts interact with other parts to allow both the whole and its parts to manifest those of their capacities which require 'team work' among the parts. | |
| From: Kathrin Koslicki (Form, Matter and Substance [2018], Intro) | |
| A reaction: This is a culminating thesis of her book. She defends it at length. It looks like a nice theory for things which are lucky enough to have capacities involving teamwork. Does this mean a pebble can't be unified? She wants a dynamic view. |
| 24066 | The form explains kind, structure, unity and activity [Koslicki] |
| Full Idea: Hylomorphists tend to agree that the form (rather than matter) explains 1) kind membership, 2) structure, 3) unity, 4) characteristic activities. | |
| From: Kathrin Koslicki (Form, Matter and Substance [2018], 3.2.1) | |
| A reaction: [compressed; she explains each of them] Personally I would add continuity through change (statue/clay). Glad to see that kind membership is not part of the form. And what about explaining observed properties? Does form=essence? |
| 24067 | Hylomorphic compounds need an individual form for transworld identity [Koslicki] |
| Full Idea: It is difficult to see how forms could serve as cross-world identity principles for hylomorphic compounds, unless these forms are particular or individual entities. | |
| From: Kathrin Koslicki (Form, Matter and Substance [2018], 3.4.3) | |
| A reaction: This is a key part of her objection to treating the form as universal or generic. I agree with her view. |
| 20328 | A thing is only seen as art in an 'artworld', which has a theory and a history [Danto] |
| Full Idea: To see something as art requires something the eye cannot descry - an atmosphere of artistic theory, a knowledge of the history of art: an artworld. | |
| From: Arthur C. Danto (The Artworld [1964], II) | |
| A reaction: The editors of the volume call this a revolutionary remark, followed up by Danto and George Dickie with a social and institutional account of art. Danto's key example is Warhol's Brillo pads - art in a gallery, cleaning material in a shop. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |