16 ideas
| 22701 | Jokes can sometimes be funny because they are offensive [Jacobson,D] |
| Full Idea: Sometimes it is exactly what is offensive about a joke that makes it funny. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: Jacobson offers this in support of his immoralist view, that immoral literature can be aesthetically successful. It is uncomfortable to find yourself laughing at a joke of which you disapprove. |
| 19419 | Not all of perception is accompanied by consciousness [Leibniz] |
| Full Idea: I do not think that the Cartesians have ever proved or can prove that every perception is accompanied by consciousness. | |
| From: Gottfried Leibniz (Principle of Life and Plastic Natures [1705], p.195) | |
| A reaction: This idea is very important in Leibniz, because non-conscious or barely conscious thoughts and perceptions explain a huge amount about behaviour, reality and morality. |
| 19421 | Souls act as if there were no bodies, and bodies act as if there were no souls [Leibniz] |
| Full Idea: Everything takes place in souls as if there were no body, and everything takes place in bodies as if there were no souls. | |
| From: Gottfried Leibniz (Principle of Life and Plastic Natures [1705], p.198) | |
| A reaction: I don't think I have ever encountered a modern thinker who accepts this view. Leibniz rejected Occasionalism, but his account depends entirely on the role of God, to set up the pre-established harmony. Why would God do that? |
| 22703 | We don't often respond to events in art as if they were real events [Jacobson,D] |
| Full Idea: We routinely do not respond to art as if we were as if we were real-life spectators of its events. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'rejection') | |
| A reaction: This strikes me as one of the basic facts about aesthetics, and especially of narrative art. People sometimes encounter terrible events on the street, only to find someone is making a film. |
| 22702 | Audiences can be too moral [Jacobson,D] |
| Full Idea: An audience can be overly moralistic. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: People can be too moral in real life as well. Goody Two Shoes. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |
| 22696 | 'Autonomism' says the morality is irrelevant to the aesthetics [Jacobson,D] |
| Full Idea: 'Autonomism' is the theory that the intrinsic moral merits and defects of an artwork are irrelevant to its aesthetic value. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: This contrasts with 'moralism', which says the ethics is part of the aesthetics. Autonomism seems to be the modern academic label for art for art's sake. In nineteenth century novels the ethics are central; in modernist novels they seem to be irrelevant. |
| 22697 | Moral defects of art can be among its aesthetic virtues [Jacobson,D] |
| Full Idea: To put my claim most provocatively: the moral defects in a work of art can be among its aesthetic virtues. This claim has been called 'immoralism'. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: To describe sympathetic descriptions of vile moral behaviour as 'defects' may be a misunderstanding. If a work sets out to promote wickedness, then its wickedness isn't a defect in the work. It could be a masterpiece of corruption. |
| 22700 | Immoral art encourages immoral emotions [Jacobson,D] |
| Full Idea: Humean moralism includes the view that immoral art prescribes unethical emotional responses. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: [He cites Hume's 'On the Standard of Taste'] 'Prescribes' is tricky. Is a vivid description of wicked events, given without comment, a prescription? What if the commentary condemns, but the description entices? Trust the work itself, said Lawrence. |
| 22699 | Moderate moralism says moral qualities can sometimes also be aesthetic qualities [Jacobson,D] |
| Full Idea: Noël Carroll's moderate moralism maintains that some moral defects in artworks are aesthetic defects, and some moral virtues are aesthetic merits. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'How moderate') | |
| A reaction: I'm beginning to think that moralist critics are confusing morality and wisdom. We don't admire novels for hammering on about goodness. We admire their insight into characters and actions, of which the most interesting aspects happen to be moral. |
| 22698 | We can judge art ethically, or rate its ethical influence, or assess its quality via its ethics [Jacobson,D] |
| Full Idea: Ethical criticism includes 1) ethical judgements of art works, 2) assessment of an art work's role in moral education, or 3) bringing moral praise or censure to bear on the aesthetic evaluation. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'What is') | |
| A reaction: [a compressed summary of Jacobson. He cites Levinson 1998 and Carroll 2000 as examples of ethical criticism] |
| 19420 | Death and generation are just transformations of an animal, augmented or diminished [Leibniz] |
| Full Idea: Death, like generation, is only the transformation of the same animal, which is sometimes augmented and sometimes diminished. | |
| From: Gottfried Leibniz (Principle of Life and Plastic Natures [1705], p.195) | |
| A reaction: Leibniz has a very unusual view of death, since neither minds nor their bodies can ever be wholly destroyed. Death is a kind of shrinking. I suspect that he was wrong about that. |
| 19416 | Not all of matter is animated, any more than a pond full of living fish is animated [Leibniz] |
| Full Idea: It must not be said that each portion of matter is animated, just as we do not say that a pond full of fishes is an animated body, although a fish is. | |
| From: Gottfried Leibniz (Principle of Life and Plastic Natures [1705], p.190) | |
| A reaction: This is a particularly clear picture of the role of monads in matter. Monads are attached to bodies, which are entirely inanimate, but monads suffuse matter and give it its properties, like particularly bubbly champagne. Cf Idea 19422. |
| 19422 | Every particle of matter contains organic bodies [Leibniz] |
| Full Idea: There is no particle of matter which does not contain organic bodies. | |
| From: Gottfried Leibniz (Principle of Life and Plastic Natures [1705], p.198) | |
| A reaction: Cf Idea 19416. There seems to be an interaction problem here (solved, presumably, by pre-established harmony). The organic bodies are there to explain the active behaviour of matter, but the related matter seems intrinsically inert. |
| 19418 | Mechanics shows that all motion originates in other motion, so there is a Prime Mover [Leibniz] |
| Full Idea: The maxim that there is no motion which has not its origin in another motion, according to the laws of mechanics, leads us again to the Prime Mover. | |
| From: Gottfried Leibniz (Principle of Life and Plastic Natures [1705], p.194) | |
| A reaction: This is Leibniz's endorsement (uncredited) to Aquinas's First Way. It is hard to see how the laws of mechanics could have anything to say about the origin of movement. And doesn't the law say that the motions of God need a mover? |
| 19417 | All substances are in harmony, even though separate, so they must have one divine cause [Leibniz] |
| Full Idea: My system of Pre-established Harmony furnishes a new proof of God's existence, since it is manifest that the agreement of so many substances, of which the one has no influence upon the other, could only come from a general cause on which they all depend. | |
| From: Gottfried Leibniz (Principle of Life and Plastic Natures [1705], p.192) | |
| A reaction: Adjacent harmony seems self-explanatory, but remote harmony is interesting evidence for God. Hence modern quantum non-locality should make us all wonder whether there is a deeper explanation. |