13 ideas
| 22701 | Jokes can sometimes be funny because they are offensive [Jacobson,D] |
| Full Idea: Sometimes it is exactly what is offensive about a joke that makes it funny. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: Jacobson offers this in support of his immoralist view, that immoral literature can be aesthetically successful. It is uncomfortable to find yourself laughing at a joke of which you disapprove. |
| 22703 | We don't often respond to events in art as if they were real events [Jacobson,D] |
| Full Idea: We routinely do not respond to art as if we were as if we were real-life spectators of its events. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'rejection') | |
| A reaction: This strikes me as one of the basic facts about aesthetics, and especially of narrative art. People sometimes encounter terrible events on the street, only to find someone is making a film. |
| 22702 | Audiences can be too moral [Jacobson,D] |
| Full Idea: An audience can be overly moralistic. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: People can be too moral in real life as well. Goody Two Shoes. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |
| 22696 | 'Autonomism' says the morality is irrelevant to the aesthetics [Jacobson,D] |
| Full Idea: 'Autonomism' is the theory that the intrinsic moral merits and defects of an artwork are irrelevant to its aesthetic value. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: This contrasts with 'moralism', which says the ethics is part of the aesthetics. Autonomism seems to be the modern academic label for art for art's sake. In nineteenth century novels the ethics are central; in modernist novels they seem to be irrelevant. |
| 22697 | Moral defects of art can be among its aesthetic virtues [Jacobson,D] |
| Full Idea: To put my claim most provocatively: the moral defects in a work of art can be among its aesthetic virtues. This claim has been called 'immoralism'. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: To describe sympathetic descriptions of vile moral behaviour as 'defects' may be a misunderstanding. If a work sets out to promote wickedness, then its wickedness isn't a defect in the work. It could be a masterpiece of corruption. |
| 22700 | Immoral art encourages immoral emotions [Jacobson,D] |
| Full Idea: Humean moralism includes the view that immoral art prescribes unethical emotional responses. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: [He cites Hume's 'On the Standard of Taste'] 'Prescribes' is tricky. Is a vivid description of wicked events, given without comment, a prescription? What if the commentary condemns, but the description entices? Trust the work itself, said Lawrence. |
| 22699 | Moderate moralism says moral qualities can sometimes also be aesthetic qualities [Jacobson,D] |
| Full Idea: Noël Carroll's moderate moralism maintains that some moral defects in artworks are aesthetic defects, and some moral virtues are aesthetic merits. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'How moderate') | |
| A reaction: I'm beginning to think that moralist critics are confusing morality and wisdom. We don't admire novels for hammering on about goodness. We admire their insight into characters and actions, of which the most interesting aspects happen to be moral. |
| 22698 | We can judge art ethically, or rate its ethical influence, or assess its quality via its ethics [Jacobson,D] |
| Full Idea: Ethical criticism includes 1) ethical judgements of art works, 2) assessment of an art work's role in moral education, or 3) bringing moral praise or censure to bear on the aesthetic evaluation. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'What is') | |
| A reaction: [a compressed summary of Jacobson. He cites Levinson 1998 and Carroll 2000 as examples of ethical criticism] |
| 18239 | What is contemplated must have a higher value than contemplation [Kant, by Korsgaard] |
| Full Idea: Kant objects that the world must have a final purpose in order to be worth contemplating, so contemplation cannot be that final purpose. | |
| From: report of Immanuel Kant (Critique of Judgement II: Teleological [1790]) by Christine M. Korsgaard - Aristotle and Kant on the Source of Value 8 'Arist and' | |
| A reaction: That is a very good objection. If we contemplate the ordered heavens, the ordering of the heavens seems to have a greater value than our contemplation of them. The reply is that the contemplation is the final purpose being contemplated! |
| 18238 | Only a good will can give man's being, and hence the world, a final purpose [Kant] |
| Full Idea: A good will is that whereby alone [man's] being can have an absolute worth and in reference to which the being of the world can have a final purpose. | |
| From: Immanuel Kant (Critique of Judgement II: Teleological [1790], C3 443), quoted by Christine M. Korsgaard - Aristotle and Kant on the Source of Value 8 'Kant' | |
| A reaction: I wish Kant gave a better account of what a 'good' will consists of. This is an awful burden to bear when you are making decisions. |
| 22053 | The Critique of Judgement aims for a principle that unities humanity and nature [Kant, by Bowie] |
| Full Idea: The Critique of Judgement aims to show how judgement functions 'according to the principle of the appropriateness of nature to our capacity for cognition'. It is meant to provide a principle of the unity of humankind and nature. | |
| From: report of Immanuel Kant (Critique of Judgement II: Teleological [1790]) by Andrew Bowie - German Philosophy: a very short introduction 1 | |
| A reaction: Hence this work is often overlooked as a key part of Kant's 'system'. At first he probably didn't realise he was creating a system. Kant set an agenda for the philosophy of the ensuing thirty years. |
| 18237 | Without men creation would be in vain, and without final purpose [Kant] |
| Full Idea: Without men the whole creation would be mere waste, in vain, and without final purpose. | |
| From: Immanuel Kant (Critique of Judgement II: Teleological [1790], C3 442), quoted by Christine M. Korsgaard - Aristotle and Kant on the Source of Value 8 'Kant' | |
| A reaction: The standard early twenty-first century response to that is 'get over it'! The remark shows how deep religion runs in Kant, despite his great caution about the existence of God. His notion of 'duty' is similarly religious. |