15 ideas
| 22701 | Jokes can sometimes be funny because they are offensive [Jacobson,D] |
| Full Idea: Sometimes it is exactly what is offensive about a joke that makes it funny. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: Jacobson offers this in support of his immoralist view, that immoral literature can be aesthetically successful. It is uncomfortable to find yourself laughing at a joke of which you disapprove. |
| 10369 | How fine-grained Kim's events are depends on how finely properties are individuated [Kim, by Schaffer,J] |
| Full Idea: How fine-grained Kim's events are depends on how finely properties are individuated. | |
| From: report of Jaegwon Kim (Events as property exemplifications [1976]) by Jonathan Schaffer - The Metaphysics of Causation 1.2 | |
| A reaction: I don't actually buy the idea that an event could just be an 'exemplification'. Change seems to be required, and processes, or something like them, must be mentioned. Degrees of fine-graining sound good, though, for processes too. |
| 8976 | If events are ordered triples of items, such things seem to be sets, and hence abstract [Simons on Kim] |
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Full Idea:
If Kim's events are just the ordered triple of |
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| From: comment on Jaegwon Kim (Events as property exemplifications [1976]) by Peter Simons - Events 2.1 | |
| A reaction: You might reply that the object, and maybe the attribute, are concrete, and the time is natural, but the combination really is an abstraction, even though it is located (like the equator). Where is the set of my books located? |
| 8975 | Events cannot be merely ordered triples, but must specify the link between the elements [Kim, by Simons] |
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Full Idea:
Kim's events cannot just be the ordered triple of |
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| From: report of Jaegwon Kim (Events as property exemplifications [1976]) by Peter Simons - Events 2.1 | |
| A reaction: Why should they even be in that particular order? This requirement rather messes up Kim's plan for a very streamlined, Ockhamised ontology. Circles have symmetry at all times. Is 'near Trafalgar Square' a property? |
| 8974 | Events are composed of an object with an attribute at a time [Kim, by Simons] |
| Full Idea: Kim's events are exemplifications by an object of an attribute at a time...It does not make events basic entities, as the three constituents are more basic, but it gives identity conditions (two events are the same if object, attribute and time the same). | |
| From: report of Jaegwon Kim (Events as property exemplifications [1976]) by Peter Simons - Events 2.1 | |
| A reaction: [Aristotle is said to be behind this] I am more sympathetic to this view than the claim that events are primitive. If a pebble is ellipsoid for a million years, is that an event? I think the concept of a 'process' is the most fruitful one to investigate. |
| 8977 | Since properties like self-identity and being 2+2=4 are timeless, Kim must restrict his properties [Simons on Kim] |
| Full Idea: Since some tautologously universal properties such as self-identity or being such that 2+2=4 apply to all things at all times, that is stretching Kim's events too far. Candidate properties need to be realistically restricted, and it is unclear how. | |
| From: comment on Jaegwon Kim (Events as property exemplifications [1976]) by Peter Simons - Events 2.1 | |
| A reaction: You could deploy Schoemaker's concept of natural properties in terms of the source of causal powers, but the problem would be that you were probably hoping to then use Kim's events to define causation. Answer: treat causation as the primitive. |
| 8980 | Kim's theory results in too many events [Simons on Kim] |
| Full Idea: The criticism most frequently levelled against Kim's theory is that it results in an unacceptable plurality of finely differentiated events, because of the requirement for identity of the constituent property. | |
| From: comment on Jaegwon Kim (Events as property exemplifications [1976]) by Peter Simons - Events 4.4 | |
| A reaction: This may mean that the Battle of Waterloo was several trillion events, which seems daft to the historian, but it doesn't to the physicist. A cannon firing is indeed an accumulation of lots of little events. |
| 22703 | We don't often respond to events in art as if they were real events [Jacobson,D] |
| Full Idea: We routinely do not respond to art as if we were as if we were real-life spectators of its events. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'rejection') | |
| A reaction: This strikes me as one of the basic facts about aesthetics, and especially of narrative art. People sometimes encounter terrible events on the street, only to find someone is making a film. |
| 22702 | Audiences can be too moral [Jacobson,D] |
| Full Idea: An audience can be overly moralistic. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: People can be too moral in real life as well. Goody Two Shoes. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |
| 22696 | 'Autonomism' says the morality is irrelevant to the aesthetics [Jacobson,D] |
| Full Idea: 'Autonomism' is the theory that the intrinsic moral merits and defects of an artwork are irrelevant to its aesthetic value. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: This contrasts with 'moralism', which says the ethics is part of the aesthetics. Autonomism seems to be the modern academic label for art for art's sake. In nineteenth century novels the ethics are central; in modernist novels they seem to be irrelevant. |
| 22697 | Moral defects of art can be among its aesthetic virtues [Jacobson,D] |
| Full Idea: To put my claim most provocatively: the moral defects in a work of art can be among its aesthetic virtues. This claim has been called 'immoralism'. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: To describe sympathetic descriptions of vile moral behaviour as 'defects' may be a misunderstanding. If a work sets out to promote wickedness, then its wickedness isn't a defect in the work. It could be a masterpiece of corruption. |
| 22700 | Immoral art encourages immoral emotions [Jacobson,D] |
| Full Idea: Humean moralism includes the view that immoral art prescribes unethical emotional responses. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: [He cites Hume's 'On the Standard of Taste'] 'Prescribes' is tricky. Is a vivid description of wicked events, given without comment, a prescription? What if the commentary condemns, but the description entices? Trust the work itself, said Lawrence. |
| 22699 | Moderate moralism says moral qualities can sometimes also be aesthetic qualities [Jacobson,D] |
| Full Idea: Noël Carroll's moderate moralism maintains that some moral defects in artworks are aesthetic defects, and some moral virtues are aesthetic merits. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'How moderate') | |
| A reaction: I'm beginning to think that moralist critics are confusing morality and wisdom. We don't admire novels for hammering on about goodness. We admire their insight into characters and actions, of which the most interesting aspects happen to be moral. |
| 22698 | We can judge art ethically, or rate its ethical influence, or assess its quality via its ethics [Jacobson,D] |
| Full Idea: Ethical criticism includes 1) ethical judgements of art works, 2) assessment of an art work's role in moral education, or 3) bringing moral praise or censure to bear on the aesthetic evaluation. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'What is') | |
| A reaction: [a compressed summary of Jacobson. He cites Levinson 1998 and Carroll 2000 as examples of ethical criticism] |