4 ideas
| 7441 | Experiences are defined by their causal role, and causal roles belong to physical states [Lewis] |
| Full Idea: The definitive characteristic of any experience is its causal role, its most typical causes and effects; but we materialists believe that these causal roles which belong by analytic necessity to experiences belong in fact to certain physical states. | |
| From: David Lewis (An Argument for the Identity Theory [1966], §I) | |
| A reaction: This is the Causal version of functionalism, which Armstrong also developed. The word 'typical' leads later to a teleological element in the theory (e.g. in Lycan). There are other things to say about mental states than just their causal role. |
| 7442 | 'Pain' contingently names the state that occupies the causal role of pain [Lewis] |
| Full Idea: On my theory, 'pain' is a contingent name - that is, a name with different denotations in different possible worlds - since in any world, 'pain' names whatever state happens in that world to occupy the causal role definitive of pain. | |
| From: David Lewis (An Argument for the Identity Theory [1966], §II n6) | |
| A reaction: Better to say that 'pain' (like 'sound') is ambiguous. It is indiscriminately used by English-speakers to mean [1] the raw quale that we experience when damaged, and [2] whatever it is that leads to pain behaviour. Maybe frogs have 2 but not 1. |
| 8113 | Art is like understanding a natural language, and needs a grasp of a symbol system [Goodman, by Gardner] |
| Full Idea: In Goodman's account, knowing what a painting represents is logically like understanding a sentence in a natural language. It requires a grasp of the 'symbol system' to which the painting belongs. | |
| From: report of Nelson Goodman (The Languages of Art [1976]) by Sebastian Gardner - Aesthetics 2.3.2 | |
| A reaction: This may fit some pictures well (e.g. early Flemish painting, with its complex iconography), but others hardly at all. You can enjoy a first experience of (say) ballet long before you get the hang of the 'symbol system' involved. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |