Combining Texts

All the ideas for 'fragments/reports', 'works' and 'De Mundo Praesenti'

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4 ideas

8. Modes of Existence / C. Powers and Dispositions / 4. Powers as Essence

12714	The substantial form is the principle of action or the primitive force of acting [Leibniz]
	Full Idea: The substantial form is the principle of action or the primitive force of acting.
	From: Gottfried Leibniz (De Mundo Praesenti [1686], A6.4.1507-8), quoted by Daniel Garber - Leibniz:Body,Substance,Monad 3
	A reaction: The clearest statement of the modification of Aristotle's hylomorphism which Leibniz preferred in his middle period, and which strikes me as an improvement, and about right. Shame that monads got too much of a grip on him, but he was trying to dig deeper.

9. Objects / D. Essence of Objects / 1. Essences of Objects

12743	A true being must (unlike a chain) have united parts, with a substantial form as its subject [Leibniz]
	Full Idea: In a Being one per se a real union is required consisting not in the situation or motion of parts, as in a chain or a house, but in a unique individual principle and subject of attributes and operations, in us a soul and in a body a substantial form.
	From: Gottfried Leibniz (De Mundo Praesenti [1686], A6.4.1506), quoted by Daniel Garber - Leibniz:Body,Substance,Monad 7
	A reaction: Leibniz is said not to be an essentialist, by making all properties essential, but he is certainly committed to substance, and it sounds like essence here (or one view of essence), when it makes identity possible. This idea is pure Aristotle.

21. Aesthetics / C. Artistic Issues / 7. Art and Morality

468	Musical performance can reveal a range of virtues [Damon of Ath.]
	Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice.
	From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where?

22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / e. Human nature

7667	There are two sides to men - the pleasantly social, and the violent and creative [Diderot, by Berlin]
	Full Idea: Diderot is among the first to preach that there are two men: the artificial man, who belongs in society and seeks to please, and the violent, bold, criminal instinct of a man who wishes to break out (and, if controlled, is responsible for works of genius.
	From: report of Denis Diderot (works [1769], Ch.3) by Isaiah Berlin - The Roots of Romanticism
	A reaction: This has an obvious ancestor in Plato's picture (esp. in 'Phaedrus') of the two conflicting sides to the psuché, which seem to be reason and emotion. In Diderot, though, the suppressed man has virtues, which Plato would deny.