7720
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Two things can only resemble one another in some respect, and that may reintroduce a universal [Lowe]
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Full Idea:
A problem for resemblance nominalism is that in saying that two particulars 'resemble' one another, it is necessary to specify in what respect they do so (e.g. colour, shape, size), and this threatens to reintroduce what appears to be talk of universals.
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From:
E.J. Lowe (Locke on Human Understanding [1995], Ch.7)
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A reaction:
We see resemblance between faces instantly, long before we can specify the 'respects' of the resemblance. This supports the Humean hard-wired view of resemblance, rather than some appeal to Platonic universals.
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7714
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Personal identity is a problem across time (diachronic) and at an instant (synchronic) [Lowe]
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Full Idea:
There is the question of the identity of a person over or across time ('diachronic' personal identity), and there is also the question of what makes for personal identity at a time ('synchronic' personal identity).
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From:
E.J. Lowe (Locke on Human Understanding [1995], Ch.5)
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A reaction:
This seems to me to be the first and most important distinction in the philosophy of personal identity, and they regularly get run together. Locke, for example, has an account of synchronic identity, which is often ignored. It applies to objects too.
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7715
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Mentalese isn't a language, because it isn't conventional, or a means of public communication [Lowe]
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Full Idea:
'Mentalese' would be neither conventional nor a means of public communication so that even to call it a language is seriously misleading.
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From:
E.J. Lowe (Locke on Human Understanding [1995], Ch.7)
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A reaction:
It is, however, supposed to contain symbolic representations which are then used as tokens for computation, so it seems close to a language, if (for example) symbolic logic or mathematics were accepted as languages. But who understands it?
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20327
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Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
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Full Idea:
In modern discussions, rather than look for intrinsic properties of objects, including aesthetic or formal properties, attention has turned to extrinsic or relational properties, notably of a social, historical, or 'institutional' nature.
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From:
Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
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A reaction:
Lots of modern branches of philosophy have made this move, which seems to me like a defeat. We want to know why things have the relations they do. Just mapping the relations is superficial Humeanism.
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20326
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Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
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Full Idea:
In the early twentieth century there were numerous attempts at defining the essence art. Significant form, intuition, the expression of emotion, organic unity, and other notions, were offered to this end.
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From:
Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
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A reaction:
As far as I can see the whole of aesthetics was demolished in one blow by Marcel Duchamp's urinal. Artists announce: we will tell you what art is; you should just sit and listen. Compare the invention of an anarchic sport.
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20330
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The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
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Full Idea:
The dualistic view of the arts holds that works of art come in two fundamentally different kinds: those that are abstract entities, i.e. types, and those that are physical objects (tokens).
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From:
Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 2)
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A reaction:
Paintings are the main reason for retaining physical objects. Strawson 1974 argues that paintings are only physical because we cannot yet perfectly reproduce them. I agree. Works of art are types, not tokens.
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