4 ideas
| 23889 | Among the Greeks Aristotle is the only philosopher in the modern style [Weil] |
| Full Idea: In Greece, Aristotle is perhaps the only philosopher in the modern sense, and he is entirely outside the Greek tradition. | |
| From: Simone Weil (God in Plato [1942], p.45) | |
| A reaction: She sees Plato as embodying the true tradition. Everything Aristotle writes is 'peri phusis' (about nature), and that is a standard topic of philosophy right from the start. She emphasises Plato long historical roots. Pythagoras is key. |
| 20344 | Music is not an expressive art, because it expresses no familiar emotions [Hanslick, by Wollheim] |
| Full Idea: Hanslick concluded from the fact that music doesn't express definite feelings like piety, love, joy, or sadness, that it isn't an art of expression. | |
| From: report of Eduard Hanslick (The Beautiful in Music [1854]) by Richard Wollheim - Art and Its Objects 48 | |
| A reaction: Whether music is 'expressive' (which it may not be) should not be confused with whether it is emotional, which it clearly is, even in its coolest examples. Hanslick viewed music as a code, not a language. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |
| 23892 | The only legitimate proof of God by order derives from beauty [Weil] |
| Full Idea: The only legitimate proof [of God's existence] from the order of the world is the proof from the beauty of the world. | |
| From: Simone Weil (God in Plato [1942], p.89) | |
| A reaction: She finds this proof in Plato. Hume's critique never (I think) mentions beauty, although in the 18thC love of the sublime could play that role. For me, the human experience of beauty doesn't have such cosmic significance. |