8 ideas
| 22692 | A work can be morally and artistically excellent, despite rejecting moral truth [John,E] |
| Full Idea: A work that rejects moral truth can be artistically excellent, in part because of its moral content. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intr) | |
| A reaction: She cites the film 'Trainspotting', about desperate drug addicts, because it gives an amoral insight into their world. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |
| 22693 | The works we value most are in sympathy with our own moral views [John,E] |
| Full Idea: The works we tend to value most highly are ones that are in sympathy with the moral views we actually accept. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intro) | |
| A reaction: I would have to endorse this. She admits that we may rate other works very highly, but they won't appear on our list of favourites. This fact may well distort philosophical discussions of morality and art. |
| 22694 | We should understand what is morally important in a story, without having to endorse it [John,E] |
| Full Idea: Our responses to literature should show that we grasp whatever counts as morally important within the narrative, but not necessarily that we judge and feel in the way deemed appropriate by the work. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Accommodating') | |
| A reaction: She gives as an example a story by Hemingway which places a high value on the courageous hunting of big game. A second example is the total amorality of a Highsmith novel. This idea seems exactly right to me. |
| 22695 | We value morality in art because that is what we care about - but it is a contingent fact [John,E] |
| Full Idea: Moral value is valuable in art because people care about moral value. This runs deep, but it is a contingent matter, and the value of morality in art hinges on art's need to provide something precious to us. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Contingency') | |
| A reaction: I think this is exactly right. Thrillers are written with very little moral concern, for a readership which cares about brave and exciting deeds. Even there, violence has its ethics. |
| 4867 | Whether nature is beautiful or orderly is entirely in relation to human imagination [Spinoza] |
| Full Idea: I do not attribute to nature either beauty or deformity, order or confusion. Only in relation to our imagination can things be called beautiful or deformed, ordered or confused. | |
| From: Baruch de Spinoza (Letters to Oldenburg [1665], 1665?) | |
| A reaction: This is clearly a statement of Hume's famous later opinion that there are no values ('ought') in nature ('is'). It is a rejection of Aristotelian and Greek teleology. It is hard to argue with, but I have strong sales resistance, rooted in virtue theory. |
| 4866 | God is a being with infinite attributes, each of them infinite or perfect [Spinoza] |
| Full Idea: I define God as a being consisting in infinite attributes, whereof each is infinite or supremely perfect. | |
| From: Baruch de Spinoza (Letters to Oldenburg [1665], 1661) | |
| A reaction: This seems to me the glorious culmination of the hyperbolic conception of God that expands steadily from wood spirits through Zeus, to eventually mop up everything in nature, and then everything that can be imagined beyond nature. All very silly. |
| 4868 | Trying to prove God's existence through miracles is proving the obscure by the more obscure [Spinoza] |
| Full Idea: Those who endeavour to establish God's existence and the truth of religion by means of miracles seek to prove the obscure by what is more obscure. | |
| From: Baruch de Spinoza (Letters to Oldenburg [1665], 1675?) | |
| A reaction: Nicely put. On the whole this has to be right, but one must leave open a possibility. If there is a God, and He seeks to prove Himself by a deed, are we saying this is impossible? Divine intervention might be the best explanation of something. |