22070
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Irony is consciousness of abundant chaos [Schlegel,F]
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Full Idea:
Irony is the clear conscousness of eternal agility, of an infinitely abundant chaos.
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From:
Friedrich Schlegel (works [1798], Vol 2 p.263), quoted by Ernst Behler - Early German Romanticism p.81
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A reaction:
[1800, in Athenaum] The interest here is irony as a reaction to chaos, which has made systematic thought impossible. Do romantics necessarily see reality as beyond our grasp, even if not chaotic? This must be situational, not verbal irony.
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22069
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Plato has no system. Philosophy is the progression of a mind and development of thoughts [Schlegel,F]
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Full Idea:
Plato had no system, but only a philosophy. The philosophy of a human being is the history, the becoming, the progression of his mind, the gradual formation and development of his thoughts.
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From:
Friedrich Schlegel (works [1798], Vol.11 p.118), quoted by Ernst Behler - Early German Romanticism
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A reaction:
[1804] Looks like the first sign of rebellion against the idea of having a 'system' in philosophy, making it a key idea of romanticism. Systems are classical? This looks like an early opposition of a historical dimension to static systems. Big idea.
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19382
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Abstracta are abbreviated ways of talking; there are just substances, and truths about them [Leibniz]
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Full Idea:
I consider abstracta not as real things but as abbreviated ways of talking ...and to that extent I am a nominalist, at least provisionally ...It suffices to posit only substances as real things, and, to assert truths about these.
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From:
Gottfried Leibniz (On the Reality of Accidents [1688]), quoted by Richard T.W. Arthur - Leibniz
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A reaction:
I am a modern nominalist, in my hostility to a serious ontological commitment to abstracta. You get into trouble, though, if you say there are only objects or substances. Physics says reality may all be 'fields', or something.... 'Truths' is good.
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22068
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Poetry is transcendental when it connects the ideal to the real [Schlegel,F]
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Full Idea:
There is a kind of poetry whose essence lies in the relation between the ideal and the real, and which therefore, by analogy with philosophical jargon, should be called transcendental poetry.
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From:
Friedrich Schlegel (works [1798], Vol 2 p.204), quoted by Ernst Behler - Early German Romanticism p.78
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A reaction:
I think the basic idea is that the imaginative creation of poetry has the power to bridge the gap between the transcendental (presupposed) ideal in Fichte, and nature (which Fichte seems to have excluded from his system).
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