17 ideas
| 12619 | We have no successful definitions, because they all use indefinable words [Fodor] |
| Full Idea: There are practically no defensible examples of definitions; for all the examples we've got, practically all the words (/concepts) are undefinable. | |
| From: Jerry A. Fodor (Concepts:where cogn.science went wrong [1998], Ch.3) | |
| A reaction: I don't think a definition has to be defined all the way down. Aristotle is perfectly happy if you can get a concept you don't understand down to concepts you do. Understanding is the test, not further definitions. |
| 12620 | If 'exist' is ambiguous in 'chairs and numbers exist', that mirrors the difference between chairs and numbers [Fodor] |
| Full Idea: People say 'exist' is ambiguous, because of the difference between 'chairs exist' and 'numbers exist'. A reply goes: the difference between the existence of chairs and the existence of numbers is strikingly like the difference between chairs and numbers. | |
| From: Jerry A. Fodor (Concepts:where cogn.science went wrong [1998], Ch.3) | |
| A reaction: To say 'numbers are objects which exist' is, to me, either a funny use of 'exist' or a funny use of 'object'. I think I will now vote for the latter. Just as 'real number' was a funny use of 'number', but we seem to have got used to it. |
| 12613 | Empiricists use dispositions reductively, as 'possibility of sensation' or 'possibility of experimental result' [Fodor] |
| Full Idea: Using dispositional analyses in aid of ontological reductions is what empiricism taught us. If you are down on cats, reduce them to permanent possibilities of sensation; if you are down on electrons, reduce them to possibilities of experimental outcome. | |
| From: Jerry A. Fodor (Concepts:where cogn.science went wrong [1998], Ch.1) | |
| A reaction: The cats line is phenomenalism; the electrons line is instrumentalism. I like this as a serious warning about dispositions, even where they seem most plausible, as in the disposition of glass to break when struck. Why is it thus disposed? |
| 12617 | Associationism can't explain how truth is preserved [Fodor] |
| Full Idea: The essential problem is to explain how thinking manages reliably to preserve truth; and Associationism, as Kant rightly pointed out to Hume, hasn't the resources to do so. | |
| From: Jerry A. Fodor (Concepts:where cogn.science went wrong [1998], Ch.1) | |
| A reaction: One might be able to give an associationist account of truth-preservation if one became a bit more externalist about it, so that the normal association patterns track their connections with the external world. |
| 12615 | Mental representations are the old 'Ideas', but without images [Fodor] |
| Full Idea: The idea that there are mental representations is the idea that there are Ideas minus the idea that Ideas are images. | |
| From: Jerry A. Fodor (Concepts:where cogn.science went wrong [1998], Ch.1) | |
| A reaction: Good for you, Fodor. I've always thought that the vociferous contempt with which modern philosphers refer to the old notion of 'Ideas' was grossly exaggerated. At last someone puts a clear finger on what seems to be the difficulty. |
| 6650 | Fodor is now less keen on the innateness of concepts [Fodor, by Lowe] |
| Full Idea: Fodor has recently changed his mind about the innateness of concepts, which he formerly championed. | |
| From: report of Jerry A. Fodor (Concepts:where cogn.science went wrong [1998]) by E.J. Lowe - Introduction to the Philosophy of Mind Ch.7 n25 | |
| A reaction: There is some sensible middle road to be charted here. We presumably do not have an innate idea of a screwdriver, but there are plenty of basic concepts in logic and perception that are plausibly thought of as innate. |
| 12618 | It is essential to the concept CAT that it be satisfied by cats [Fodor] |
| Full Idea: Nothing in any mental life could be the concept CAT unless it is satisfied by cats. If you haven't got a concept that applies to cats, that entails that you haven't got the CAT concept. | |
| From: Jerry A. Fodor (Concepts:where cogn.science went wrong [1998], Ch.2) | |
| A reaction: Of course, having a concept that applies to cats doesn't entail that you have the CAT concept. Quine's 'gavagai', for example. I think Fodor is right in this idea. |
| 12614 | I prefer psychological atomism - that concepts are independent of epistemic capacities [Fodor] |
| Full Idea: I argue for a very strong version of psychological atomism; one according to which what concepts you have is conceptually and metaphysically independent of what epistemic capacities you have. | |
| From: Jerry A. Fodor (Concepts:where cogn.science went wrong [1998], Ch.1) | |
| A reaction: This is a frontal assault on the tradition of Frege, Dummett and Peacocke. I immediately find Fodor's approach more congenial, because he wants to say what a concept IS, rather than just place it within some larger scheme of things. |
| 12621 | Definable concepts have constituents, which are necessary, individuate them, and demonstrate possession [Fodor] |
| Full Idea: The definition theory says that concepts are complex structures which entail their constituents. By saying this, it guarantees both the connection between content and necessity, and the connection between concept individuation and concept possession. | |
| From: Jerry A. Fodor (Concepts:where cogn.science went wrong [1998], Ch.5) | |
| A reaction: He cites Pinker as a spokesman for the definitional view. This is the view Fodor attacks, in favour of his atomistic account. He adds in a note that his view also offered to reduce conceptual truth to logical truth. |
| 12622 | Many concepts lack prototypes, and complex prototypes aren't built from simple ones [Fodor] |
| Full Idea: Many concepts have no prototypes; and there are many complex concepts whose prototypes aren't related to the prototypes of their constituents in the way compositional explanation of productivity and systematicity requires. | |
| From: Jerry A. Fodor (Concepts:where cogn.science went wrong [1998], Ch.5) | |
| A reaction: His favourite example of the latter is 'pet fish', where the prototype of 'pet' is hardly ever a fish, and the prototype of 'fish' is usually much bigger than goldfish. Fodor is arguing that concepts are atomic. |
| 12623 | The theory theory can't actually tell us what concepts are [Fodor] |
| Full Idea: If the theory theory has a distinctive and coherent answer to the 'What's a concept?' question on offer, it's a well-kept secret. | |
| From: Jerry A. Fodor (Concepts:where cogn.science went wrong [1998], Ch.5) | |
| A reaction: Not an argument, but worth recording as an attitude. I certainly agree that accounts which offer some sort of answer to 'What is a concept?' have an immediate head's start on those which don't. |
| 12616 | English has no semantic theory, just associations between sentences and thoughts [Fodor] |
| Full Idea: English has no semantics. Learning English isn't learning a theory about what its sentences mean, it's learning how to associate its sentences with the corresponding thoughts. | |
| From: Jerry A. Fodor (Concepts:where cogn.science went wrong [1998], Ch.1) | |
| A reaction: This sounds remarkably close to John Locke's account of language (which I always thought was seriously underrated). Presumably we can then say that the 'thought' (or Locke's 'idea') is the meaning, which is old-fashioned real meanings. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |