8 ideas
| 5691 | The adverbial account of sensation says not 'see a red image' but be 'appeared to redly' [Shoemaker] |
| Full Idea: Some who reject the act-object conception of sensation favour an 'adverbial' account, where (instead of the act of 'seeing a red image') it is better to speak of 'being appeared to redly'. | |
| From: Sydney Shoemaker (Introspection [1994], p.398) | |
| A reaction: The point is that you couldn't perceive without a colour (or travel without a speed), so the qualifying adverb is intrinsic to the process, not a separate object. The adverbial theory will imply a fairly minimal account of universals. |
| 5687 | For true introspection, must we be aware that we are aware of our mental events? [Shoemaker] |
| Full Idea: Some writers distinguish introspection from a pre-introspective awareness of mental phenomena, saying one is not properly introspecting unless one is not only aware of the phenomena, but aware that one is aware of them. | |
| From: Sydney Shoemaker (Introspection [1994], p.395) | |
| A reaction: The test question might be what we think animals do. I think I agree with the 'writers'. You are either just aware of the contents or qualia or images of thought, which is not introspection, or you become introspectively aware that you are having them. |
| 5688 | Empirical foundationalism says basic knowledge is self-intimating, and incorrigible or infallible [Shoemaker] |
| Full Idea: Foundationalist epistemology takes all empirical knowledge to be grounded in the introspective knowledge each mind has of its own states, …holding that introspective judgements are 'incorrigible' or 'infallible', and mental states are 'self-intimating'. | |
| From: Sydney Shoemaker (Introspection [1994], p.396) | |
| A reaction: Descartes' foundationalist Cogito also seems to be based on introspection, making introspection the essence of all foundationalism. The standard modern view is that introspective states are incorrigible, but not infallible. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |