6 ideas
| 22040 | Freedom is produced by the activity of the mind, and is not intrinsically given [Hegel] |
| Full Idea: Actual freedom is not something immediately existent in mindedness, but is something to be produced by the mind's own activity. It is thus as the producer of its freedom that we have to consider mindedness in philosophy. | |
| From: Georg W.F.Hegel (Philosophy of Mind (Encylopedia III) [1817], §382, Zusatz), quoted by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Pinkard glosses this as an agent being free by being the centre of a group of social responsibilities. Hence I presume small children have no freedom. Presumably we could deprive citizens of all responsibility, and hence of metaphysical freedom. |
| 22039 | Geist is distinct from nature, not as a substance, but because of its normativity [Hegel, by Pinkard] |
| Full Idea: Hegel argued that it was the impossibility of a naturalistic account of normativity that distinguished Geist from nature, not Geist's being any kind of metaphysical substance. | |
| From: report of Georg W.F.Hegel (Philosophy of Mind (Encylopedia III) [1817]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Hegel always seems to want to have his cake and eat it. Without a mental substance, how can Geist not be part of nature? What is Geist made of? Is his view functionalist? But that is usually naturalistic. Is normativity magic? |
| 8063 | Baumgarten founded aesthetics in 1750 [Baumgarten, by Tolstoy] |
| Full Idea: Baumgarten founded aesthetics in the year 1750. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.2 | |
| A reaction: He gave it a label, separated it off from the rest of philosophy, and made taste the main focus. The philosophy of art goes back to at least Plato's 'Republic' and 'Symposium'. |
| 8118 | Beauty is an order between parts, and in relation to the whole [Baumgarten, by Tolstoy] |
| Full Idea: Beauty is defined by Baumgarten as a correspondence, that is, an order of parts in their mutual relations to each other and in their relation to the whole. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3 | |
| A reaction: This may be one aspect of what is beautiful, but rather more than a nice arrangement is probably needed for art. We must distinguish flower arranging from poetic drama. Some masterpieces are rather messily arranged. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |
| 8117 | Perfection comes through the senses (Beauty), through reason (Truth), and through moral will (Good) [Baumgarten, by Tolstoy] |
| Full Idea: For Baumgarten, Beauty is the Perfect (the Absolute), recognised through the senses; Truth is the Perfect perceived through reason; Goodness is the Perfect reached by moral will. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3 | |
| A reaction: At last, after many years of searching, I have found the origin of that great trio of ideals: Beauty, Goodness and Truth. Tolstoy sneers at them, but a person could do a lot worse than spending their lives trying to promote them. |