Combining Texts

All the ideas for 'fragments/reports', 'The Laws of Thought' and 'Croce and Collingwood'

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9 ideas

4. Formal Logic / B. Propositional Logic PL / 1. Propositional Logic
8083 Boole applied normal algebra to logic, aiming at an algebra of thought [Boole, by Devlin]
     Full Idea: Boole proposed to use the entire apparatus of a school algebra class, with operations such as addition and multiplication, methods to solve equations, and the like, to produce an algebra of thought.
     From: report of George Boole (The Laws of Thought [1854]) by Keith Devlin - Goodbye Descartes Ch.3
     A reaction: The Stoics didn’t use any algebraic notation for their study of propositions, so Boole's idea launched full blown propositional logic, and the rest of modern logic followed. Nice one.
7727 Boole's notation can represent syllogisms and propositional arguments, but not both at once [Boole, by Weiner]
     Full Idea: Boole introduced a new symbolic notation in which it was possible to represent both syllogisms and propositional arguments, ...but not both at once.
     From: report of George Boole (The Laws of Thought [1854], Ch.3) by Joan Weiner - Frege
     A reaction: How important is the development of symbolic notations for the advancement of civilisations? Is there a perfect notation, as used in logical heaven?
5. Theory of Logic / A. Overview of Logic / 2. History of Logic
8686 Boole made logic more mathematical, with algebra, quantifiers and probability [Boole, by Friend]
     Full Idea: Boole (followed by Frege) began to turn logic from a branch of philosophy into a branch of mathematics. He brought an algebraic approach to propositions, and introduced the notion of a quantifier and a type of probabilistic reasoning.
     From: report of George Boole (The Laws of Thought [1854], 3.2) by Michèle Friend - Introducing the Philosophy of Mathematics
     A reaction: The result was that logic not only became more mathematical, but also more specialised. We now have two types of philosopher, those steeped in mathematical logic and the rest. They don't always sing from the same songsheet.
5. Theory of Logic / H. Proof Systems / 2. Axiomatic Proof
22277 Boole's method was axiomatic, achieving economy, plus multiple interpretations [Boole, by Potter]
     Full Idea: Boole's work was an early example of the axiomatic method, whereby intellectual economy is achieved by studying a set of axioms in which the primitive terms have multiple interpretations.
     From: report of George Boole (The Laws of Thought [1854]) by Michael Potter - The Rise of Analytic Philosophy 1879-1930 02 'Boole'
     A reaction: Unclear about this. I suppose the axioms are just syntactic, and a range of semantic interpretations can be applied. Are De Morgan's Laws interpretations, or implications of the syntactic axioms? The latter, I think.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
20416 By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
     Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold.
     From: Gary Kemp (Croce and Collingwood [2012], Intro)
     A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
20417 Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
     Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood).
     From: Gary Kemp (Croce and Collingwood [2012], 1)
     A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that.
20419 We don't already know what to express, and then seek means of expressing it [Kemp]
     Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it.
     From: Gary Kemp (Croce and Collingwood [2012], 1)
     A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing.
20418 The horror expressed in some works of art could equallly be expressed by other means [Kemp]
     Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music.
     From: Gary Kemp (Croce and Collingwood [2012], 1)
     A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art!
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
468 Musical performance can reveal a range of virtues [Damon of Ath.]
     Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice.
     From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where?