6 ideas
| 15464 | The distinction between dispositional and 'categorical' properties leads to confusion [Lewis] |
| Full Idea: To avoid the danger of claiming that dispositions are their own categorical bases, we do better to eschew the alleged distinction between dispositional and 'categorical' properties altogether. | |
| From: David Lewis (Finkish dispositions [1997], II) | |
| A reaction: Since I have been unable to form any intuitive notion of what a 'categorical' property is, I like this, though not necessarily for his reason. |
| 15463 | All dispositions must have causal bases [Lewis] |
| Full Idea: Prior, Pargetter and Jackson have argued convincingly for the thesis that all dispositions must have causal bases. | |
| From: David Lewis (Finkish dispositions [1997], II) | |
| A reaction: [Their paper is 1982] This key thesis is tackled by modern defenders of powers. The question is not who has the best arguments, but who offers the most coherent picture. What is a 'causal basis'? What sort of thing could be primitive or fundamental? |
| 15461 | A 'finkish' disposition is real, but disappears when the stimulus occurs [Lewis] |
| Full Idea: A disposition which would straight away vanish if put to the test is called 'finkish'. A finkishly fragile thing is fragile so long as it is not struck. But if it were struck, it would straight away cease to be fragile, and it would not break. | |
| From: David Lewis (Finkish dispositions [1997], I) | |
| A reaction: There are also 'antidotes'. Finks kill the disposition, antidotes kill the effect. These cases are problems for the simple conditional analysis of a disposition - because we never achieved the consequent. |
| 15462 | Backtracking counterfactuals go from supposed events to their required causal antecedents [Lewis] |
| Full Idea: 'Backtracking' counterfactual reasoning runs from a counterfactually supposed event to the causal antecedents it would have to have had. | |
| From: David Lewis (Finkish dispositions [1997], I) | |
| A reaction: Why not call it a 'transcendental' counterfactual? Presumably you go thisworld>> counterfactualevent>> worldneededtocauseit. It conjures up two possible worlds instead of one. |
| 20329 | A work of art is an artifact created for the artworld [Dickie] |
| Full Idea: A work of art is an artifact of a kind created to be presented to an artworld public. | |
| From: George Dickie (The New Institutional Theory of Art [1983], p.53) | |
| A reaction: This is the culminating definition in his paper, deriving originally from Danto, and an improvement of his earlier more complex definition. Since this definition amounts to 'this is art if I say it is art', it doesn't seem to reveal much. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |