4 ideas
| 3583 | External objects are permanent possibilities of sensation [Mill] |
| Full Idea: External objects are permanent possibilities of sensation. | |
| From: John Stuart Mill (Examination of Sir Wm Hamilton's Philosophy [1865]), quoted by Michael Williams - Problems of Knowledge Ch.9 |
| 3537 | I judge others' feeling by analogy with my body and behaviour [Mill] |
| Full Idea: I conclude other humans have feelings like me because they have bodies like mine (which I know in my case to be antecedent to feelings), and because they exhibit acts and outwards signs which I know in my own case to be caused by feelings. | |
| From: John Stuart Mill (Examination of Sir Wm Hamilton's Philosophy [1865], p.243), quoted by Keith T. Maslin - Introduction to the Philosophy of Mind 8.2 | |
| A reaction: It is hard to see anything further that can be added to the 'other minds' question. Behaviour is highly relevant (imagine meeting a human who talked like a robot), but so are bodies (imagine a tin box that talked like Marilyn Monroe). |
| 20329 | A work of art is an artifact created for the artworld [Dickie] |
| Full Idea: A work of art is an artifact of a kind created to be presented to an artworld public. | |
| From: George Dickie (The New Institutional Theory of Art [1983], p.53) | |
| A reaction: This is the culminating definition in his paper, deriving originally from Danto, and an improvement of his earlier more complex definition. Since this definition amounts to 'this is art if I say it is art', it doesn't seem to reveal much. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |