Combining Texts

All the ideas for 'fragments/reports', 'Letters to Remond de Montmort' and 'The Guide of the Perplexed'

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7 ideas

10. Modality / C. Sources of Modality / 2. Necessity as Primitive
Some necessary truths are brute, and others derive from final causes [Leibniz]
     Full Idea: There is a difference between truths whose necessity is brute and geometric and those truths which have their source in fitness and final causes.
     From: Gottfried Leibniz (Letters to Remond de Montmort [1715], 1715.06.22/G III 645), quoted by Daniel Garber - Leibniz:Body,Substance,Monad 6
     A reaction: The second one is a necessity deriving from God's wisdom. Strictly it could have been otherwise, unlike 'geometrical' necessity, which is utterly fixed.
15. Nature of Minds / B. Features of Minds / 1. Consciousness / c. Parts of consciousness
Our large perceptions and appetites are made up tiny unconscious fragments [Leibniz]
     Full Idea: Our great perceptions and our great appetites of which we are conscious, are composed of innumerable little perceptions and little inclinations of which we cannot be conscious.
     From: Gottfried Leibniz (Letters to Remond de Montmort [1715], 1715 §2)
     A reaction: I think this is a wonderfully accurate report of how the mind is, in comparison with the much more simplistic views presented by most philosophers of that era. And so much understanding flows from Leibniz's account.
18. Thought / A. Modes of Thought / 3. Emotions / c. Role of emotions
Passions reside in confused perceptions [Leibniz]
     Full Idea: The passions of monads reside in their confused perceptions.
     From: Gottfried Leibniz (Letters to Remond de Montmort [1715], 1715)
     A reaction: He thinks perceptions come in degrees of confusion, all the way up to God, who alone has fully clear perceptions. He blames in on these confused perceptions.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Musical performance can reveal a range of virtues [Damon of Ath.]
     Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice.
     From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where?
28. God / A. Divine Nature / 2. Divine Nature
God produces possibilities, and thus ideas [Leibniz]
     Full Idea: God is the source of possibilities and consequently of ideas.
     From: Gottfried Leibniz (Letters to Remond de Montmort [1715], 1715 §8)
     A reaction: A wonderfully individual conception of the nature of God. He produces the possibilities from which creation is chosen, and ideas and concepts are of everything which is non-contradictory, and thus possible. It all makes lovely sense!
We can approach knowledge of God by negative attributes [Maimonides]
     Full Idea: You will come nearer to the knowledge and comprehension of God by the negative attributes.
     From: Moses Maimonides (The Guide of the Perplexed [1190], p.86), quoted by Brian Davies - Introduction to the Philosophy of Religion 2 'Negation'
     A reaction: Illustrated by grasping what a ship is by eliminating other categories it might belong to. The assumption is that you have a known and finite list - something like Aristotle's categories. Maimonides fears we know too little for positive attributes.
28. God / C. Attitudes to God / 4. God Reflects Humanity
Thinking of God as resembling humans results from a bad translation of Genesis 1:26 [Maimonides]
     Full Idea: Mistranslation of 'image' has been the cause of a crass anthropomorphism because of the verse 'Let us make man in Our image after Our likeness' (Gen.1:26). They think God has the shape and outline of man, ..with face and hands like themselves.
     From: Moses Maimonides (The Guide of the Perplexed [1190], I.1)
     A reaction: It's interesting that Michelangelo still visualises God as an old man. The idea won't go away, presumably because God is understood as a 'person', in Locke's sense, though of a very special kind.