Combining Texts

All the ideas for 'fragments/reports', 'Tropes' and 'Identity, Essence and Indiscernibility'

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6 ideas

8. Modes of Existence / B. Properties / 13. Tropes / a. Nature of tropes
A trope is a bit of a property or relation (not an exemplification or a quality) [Bacon,John]
     Full Idea: A trope is an instance or bit (not an exemplification) of a property or a relation. Bill Clinton's eloquence is not his participating in the universal eloquence, or the peculiar quality of his eloquence, but his bit, and his alone, of eloquence.
     From: John Bacon (Tropes [2008], Intro)
     A reaction: If we have identified something as a 'bit' of something, we can ask whether that bit is atomic, or divisible into something else, and we can ask what are the qualities and properties and powers of this bit, we seems to defeat the object.
Trope theory is ontologically parsimonious, with possibly only one-category [Bacon,John]
     Full Idea: A major attraction of tropism has been its promise of parsimony; some adherents (such as Campbell) go so far as to proclaim a one-category ontology.
     From: John Bacon (Tropes [2008], §2)
     A reaction: This seems to go against the folk idiom which suggests that it is things which have properties, rather than properties ruling to roost. Maybe if one identified tropes with processes, the theory could be brought more into line with modern physics?
Individuals consist of 'compresent' tropes [Bacon,John]
     Full Idea: 'Qualitons' or 'relatons' (quality and relation tropes) are held to belong to the same individual if they are all 'compresent' with one another.
     From: John Bacon (Tropes [2008], §4)
     A reaction: There is a perennial problem with bundles - how to distinguish accidental compresence (like people in a lift) from united compresence (like people who make a family).
9. Objects / B. Unity of Objects / 3. Unity Problems / c. Statue and clay
A statue is essentially the statue, but its lump is not essentially a statue, so statue isn't lump [Yablo, by Rocca]
     Full Idea: Yablo proposes the argument that Statue A is essentially a statue, and Lump 1 is not essentially a statue, so Statue A is not identical with Lump 1.
     From: report of Stephen Yablo (Identity, Essence and Indiscernibility [1987]) by Michael della Rocca - Essentialists and Essentialism I
     A reaction: Della Rocca and Yablo unashamedly elide necessary properties with essential properties, so this argument doesn't bother me too much. It concerns the statue and the clay having different modal properties.
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / a. Nature of possible worlds
Maybe possible worlds are just sets of possible tropes [Bacon,John]
     Full Idea: Meinongian tropism has the advantage that possible worlds might be thought of as sets of 'qualitons' and 'relatons' (quality and relational tropes).
     From: John Bacon (Tropes [2008], §3)
     A reaction: You are still left with 'possible' to explain, and I'm not sure that anything is explain here. If the actual world is sets of tropes, then possible worlds would also have to be, I suppose.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Musical performance can reveal a range of virtues [Damon of Ath.]
     Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice.
     From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where?