5 ideas
| 22320 | An 'object' is just what can be referred to without possible non-existence [Wittgenstein] |
| Full Idea: What I once called 'objects', simples, were simply what I could refer to without running the risk of their possible non-existence. | |
| From: Ludwig Wittgenstein (Philosophical Remarks [1930], p.72), quoted by Michael Potter - The Rise of Analytic Philosophy 1879-1930 52 'Simp' | |
| A reaction: For most of us, you can refer to something because you take it to be an object. For these Fregean influenced guys (e.g. Hale) something is an object because you can refer to it. Why don't they use 'object*' for their things? |
| 22591 | We know perfection when we see what is imperfect [Murdoch] |
| Full Idea: We know of perfection as we look upon what is imperfect. | |
| From: Iris Murdoch (Metaphysics as a Guide to Morals [1992], 13) | |
| A reaction: This is in the context of a discussion of the ontological argument for God's existence, but I seize on it as a nice expression of the idealisation capacity of our minds. The alternative is that perfection is innate idea, since we aren't seeing it. |
| 18283 | Language pictures the essence of the world [Wittgenstein] |
| Full Idea: The essence of language is a picture of the essence of the world. | |
| From: Ludwig Wittgenstein (Philosophical Remarks [1930], p.85), quoted by J. Alberto Coffa - The Semantic Tradition from Kant to Carnap 17 | |
| A reaction: Hence for a long time the study of language seemed to be the way to do metaphysics. Now they study mathematical logic, with the same hope. |
| 18282 | You can't believe it if you can't imagine a verification for it [Wittgenstein] |
| Full Idea: It isn't possible to believe something for which you cannot imagine some kind of verification. | |
| From: Ludwig Wittgenstein (Philosophical Remarks [1930], p.200), quoted by J. Alberto Coffa - The Semantic Tradition from Kant to Carnap 13 'Constr' | |
| A reaction: In 1930 LW was calling this his 'old principle'. As it stands here it is too vague to assert very much. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |