3 ideas
| 5438 | Hermeneutics of tradition is sympathetic, hermeneutics of suspicion is hostile [Ricoeur, by Mautner] |
| Full Idea: Ricoeur distinguishes a hermeneutics of tradition (e.g. Gadamar), which interprets sympathetically looking for hidden messages, and a hermeneutics of suspicion (e.g. Nietzsche, Freud) which sees hidden drives and interests. | |
| From: report of Paul Ricoeur (works [1970]) by Thomas Mautner - Penguin Dictionary of Philosophy p.249 | |
| A reaction: Obviously the answer is somewhere between the two. Nietzsche's suspicion can be wonderful, but Freud's can seem silly (e.g. on Leonardo). On the whole I am on the 'tradition' side, because great thinkers can rise above their culture (on a good day). |
| 20329 | A work of art is an artifact created for the artworld [Dickie] |
| Full Idea: A work of art is an artifact of a kind created to be presented to an artworld public. | |
| From: George Dickie (The New Institutional Theory of Art [1983], p.53) | |
| A reaction: This is the culminating definition in his paper, deriving originally from Danto, and an improvement of his earlier more complex definition. Since this definition amounts to 'this is art if I say it is art', it doesn't seem to reveal much. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |