3 ideas
| 22393 | I don't understand the idea of a reason for acting, but it is probably the agent's interests or desires [Foot] |
| Full Idea: I am sure I do not understand the idea of a reason for acting, and I wonder whether anyone else does either. I incline to the view that all such reasons depend either on the agent's interests (meaning here what is in his interest) or else on his desires. | |
| From: Philippa Foot (Reasons for Actions and Desires [1972], p.156 Post) | |
| A reaction: It seems common to assume that a reason for an action must be something rational, but it makes sense to say that the reason for someone's action was an irrational whim. Is the reason for an action just the cause of the action? |
| 7270 | Historical interpretation aims to recapture the author's view of the work [Croce] |
| Full Idea: Historical interpretation enables us to see a work of art as its author saw it in the moment of production. | |
| From: Benedetto Croce (Aesthetic as Science of Expression [1902], §II), quoted by W Wimsatt/W Beardsley - The Intentional Fallacy §II | |
| A reaction: Wimsatt and Beardsley quote this as the romantic antithesis of their own view, but there is a blurring between understanding a work and judging. Personally I consider intentions essential for understanding, and valuable for judgement. |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| Full Idea: In singing and playing the lyre, a boy will be likely to reveal not only courage and moderation, but also justice. | |
| From: Damon (fragments/reports [c.460 BCE], B4), quoted by (who?) - where? |